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Rehearing Machaut's Motets

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References

1962Discant, Counterpoint, and Harmony121 cited
1986On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections103 cited
2014The Grammar of Early Music: Preconditions for Analysis99 cited
2001ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS86 cited
2003Words and music in Machaut's Motet 974 cited
2003Theorizing the Cadence in the Music of Machaut59 cited
2001"The Imperfect Seeks Its Perfection": Harmonic Progression, Directed Motion, and Aristotelian Physics59 cited
1992Tendencies and Resolutions: The Directed Progression in "Ars Nova" Music52 cited
2009Naming of Parts: Notes on the Contratenor, c.1350–145049 cited
1996Polyphony of Texts and Music in the Fourteenth-Century Motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and Its “Quotations”47 cited
2000Counterpoint and Analysis in Fourteenth-Century Song38 cited
1991Deception, exegesis and sounding number in Machaut's motet 1537 cited
2002Organum –discantus–contrapunctusin the Middle Ages37 cited
2005Tonal structure and the melodic role of chromatic inflections in the music of Machaut32 cited
1989Machaut's Role in the Production of Manuscripts of His Works

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2018Music and the moderni, 1300–13505 cited
2013The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach4 cited