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Owning Art after Napoléon: Destiny or Destination at the Birth of the Museum
12 references·0 citing·28 second hop
Owning Art after Napoléon: Destiny or Destination at the Birth of the Museum (2010)Owning Art after Napoléon: Destiny or Des…Whose Culture? (2009)Whose Culture?The return of cultural treasures (2009)The return of cultural treasu…Who owns antiquity?: museums and the battle over our ancient heritage (2008)Who owns antiquity?: museums …Art as Plunder: The Ancient Origins of Debate about Cultural Property (2008)Art as Plunder: The Ancient O…Who owns objects? The ethics and politics of collecting cultural artefacts (2007)Who owns objects? The ethics …THE BRITISH STATE AND THE ANGLO-FRENCH WARS OVER ANTIQUITIES, 1798–1858 (2007)THE BRITISH STATE AND THE ANG…International law, museums, and the return of cultural objects (2007)International law, museums, a…Art and Cultural Heritage: Law Policy and Practice (2006)Art and Cultural Heritage: La…The culture of property: the crisis of liberalism in modern Britain (2005)The culture of property: the …Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris (1996)Inventing the Louvre: Art, Po…Taste and the Antique. The Lure of Classical Sculpture (1500 1900) (1981)Taste and the Antique. The Lu…Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France (1977)Rediscoveries in Art: Some As…Networks, Agents and Objects: Frameworks for Unpacking Museum Collections (2011)The aesthetics of nations: anthropological and historical approaches (2011)Conservation without Nature: the Trouble with In Situ Versus Ex Situ Conservation (2014)Intangible Heritage and Erasure: Rethinking Cultural Preservation and Contemporary Museum Practice (2011)Exhibition Ethics - An Overview of Major Issues (2014)On the Law of Peace (2008)Human Rights and Heritage Ethics (2010)Egyptian Archaeology and the Museum (2015)‘A selection of minor antiquities’: a multi-sited view on collections from excavations in Egypt (2016)The Art of Status (2025)Stepping Stones Across the Lihir Islands: Developing Cultural Heritage Management in the Context of a Gold-Mining Operation (2011)Cultural feelings and the making of meaning (2012)Cultural Heritage in International Investment Law and Arbitration (2014)Pragmatics of Taste (2007)On the discrepancy between objects and things: An ecological approach (2016)Gender, Identity and the Body in Greek and Roman Sculpture (2018)Pedagogic Objects, Clean Eyes, and Popular Instruction: On Sensory Regimes and Museum Didactics (1998)CONTEXT IN CONTEXT (2002)Contested Cultural Heritage (2010)Excavating memories: archaeology and the Great War, 1914–2001 (2002)Understanding Islam at European Museums (2021)Fragmentary Modernism (2023)The Public Life of Monuments: TheSummi Viriof the Forum of Augustus (2012)The Politics of Public Space in Republican Rome (2015)The Cambridge Companion to the Age of Nero (2017)“Industry without Art Is Brutality”: Aesthetic Ideology and Social Practice in Victorian Art Museums (2006)After the Exhibitionary Complex: Museum Histories and the Future of the Victorian Past (2006)A Grave Situation: An Examination of the Legal Issues Raised by the Life and Death of Charles Byrne, the “Irish Giant” (2013)
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References

  • 2008Art as Plunder: The Ancient Origins of Debate about Cultural Property255 cited
  • 1981Taste and the Antique. The Lure of Classical Sculpture (1500 1900)213 cited
  • 2007International law, museums, and the return of cultural objects166 cited
  • 2008Who owns antiquity?: museums and the battle over our ancient heritage157 cited
  • 2006Art and Cultural Heritage: Law Policy and Practice152 cited
  • 1996Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris98 cited
  • 2009Whose Culture?91 cited
  • 2007THE BRITISH STATE AND THE ANGLO-FRENCH WARS OVER ANTIQUITIES, 1798–185858 cited
  • 2009The return of cultural treasures51 cited
  • 2005The culture of property: the crisis of liberalism in modern Britain50 cited
  • 1977Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France35 cited
  • 2007Who owns objects? The ethics and politics of collecting cultural artefacts24 cited

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