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The use of infrared and Raman microspectroscopy for identification of selected red organic dyes in model colour layers of works of art
16 references·11 citing·33 second hop
The use of infrared and Raman microspectroscopy for identification of selected red organic dyes in model colour layers of works of art (2012)The use of infrared and Raman microspectr…Mild extraction of dyes by hydrofluoric acid in routine analysis of historical paint micro-samples (2007)Mild extraction of dyes by hy…Identification and Characterization of Artists' Red Dyes and Their Mixtures by Surface-Enhanced Raman Spectroscopy (2007)Identification and Characteri…High-performance liquid chromatographic determination of colouring matters in historical garments from the Holy Mountain of Athos (2007)High-performance liquid chrom…A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool (2007)A spectrometric and chromatog…Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Application of surface‐enhanc…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…Spectroscopic identification of alizarin in a mixture of organic red dyes by incorporation in Zr‐Ormosil (2005)Spectroscopic identification …Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art (2005)Application of surface-enhanc…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Identification of anthraquinone coloring matters in natural red dyes by electrospray mass spectrometry coupled to capillary electrophoresis (2003)Identification of anthraquino…Electrochemical analysis of natural solid organic dyes and pigments (2003)Electrochemical analysis of n…Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil (2002)Vibrational spectroscopic stu…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…High-performance liquid chromatographic determination of some anthraquinone and naphthoquinone dyes occurring in historical textiles (1999)High-performance liquid chrom…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Identification of iron gall inks, logwood inks, and their mixtures using Raman spectroscopy, supplemented by reflection and transmission infrared spectroscopy (2024)Identification of iron gall i…Spectral characterisation of a traditional Mesoamerican dye: relationship between in situ identification on the 16 th century Codex Borbonicus manuscript and composition of Justicia spicigera plant extract (2021)Spectral characterisation of …A combination of invasive and non-invasive techniques for the study of the palette and painting structure of a copy of Raphael's Transfiguration of Christ (2021)A combination of invasive and…Impact of organic binders on the carminic-colorants stability studied by: ATR-FTIR, VIS and colorimetry (2020)Impact of organic binders on …A combination of techniques to study Chinese traditional Lajian paper (2019)A combination of techniques t…Imaging the Surface of a Hand-Colored 19th Century Daguerreotype (2018)Imaging the Surface of a Hand…Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile) (2018)Characterization of pigments …Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia) (2016)Virtuous colours for Mary. Id…Chemical characterization of wood samples colored with iron inks: insights into the ancient techniques of wood coloring (2016)Chemical characterization of …Spectroscopic analysis of pigments and inks in manuscripts. III. Old-Slavonic manuscripts with multicolored rubication (2015)Spectroscopic analysis of pig…Applications of Raman spectroscopy in archaeometry: An investigation of pre-Columbian Peruvian textiles (2015)Applications of Raman spectro…High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)Optimisation of ESI-MS detection for the HPLC of anthraquinone dyes (2007)Comparison of extraction methods for the analysis of natural dyes in historical textiles by high-performance liquid chromatography (2009)Extracting natural dyes from wool—an evaluation of extraction methods (2011)Raman microscopy in archaeological science (2004)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)SERS detection of red organic dyes in Ag‐agar gel (2012)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)The museum environment (1978)Development of Mild Extraction Methods for the Analysis of Natural Dyes in Textiles of Historical Interest Using LC-Diode Array Detector-MS (2005)Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy (2008)Bright Light: Microspectrofluorimetry for the Characterization of Lake Pigments and Dyes in Works of Art (2010)The Organic Chemistry of Museum Objects (1988)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)The materials and techniques of medieval painting (1956)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach (2007)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of pigments by multispectral imaging; a flowchart method (2014)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Identification of Red Natural Dyes in Post‐Byzantine Icons by HPLC (2005)Silver colloidal pastes for dye analysis of reference and historical textile fibers using direct, extractionless, non-hydrolysis surface-enhanced Raman spectroscopy (2013)A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours (2014)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 1999High-performance liquid chromatographic determination of some anthraquinone and naphthoquinone dyes occurring in historical textiles120 cited
  • 2007A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool101 cited
  • 2005Application of surface-enhanced Raman scattering (SERS) for the identification of anthraquinone dyes used in works of art99 cited
  • 2002Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil99 cited
  • 2003Electrochemical analysis of natural solid organic dyes and pigments89 cited
  • 2007Identification and Characterization of Artists' Red Dyes and Their Mixtures by Surface-Enhanced Raman Spectroscopy78 cited
  • 2007High-performance liquid chromatographic determination of colouring matters in historical garments from the Holy Mountain of Athos77 cited

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  • 2003Identification of anthraquinone coloring matters in natural red dyes by electrospray mass spectrometry coupled to capillary electrophoresis59 cited
  • 2007Mild extraction of dyes by hydrofluoric acid in routine analysis of historical paint micro-samples54 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works52 cited
  • 2005Spectroscopic identification of alizarin in a mixture of organic red dyes by incorporation in Zr‐Ormosil47 cited
  • Cited by

    • 2016Chemical characterization of wood samples colored with iron inks: insights into the ancient techniques of wood coloring31 cited
    • 2018Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)27 cited
    • 2015Applications of Raman spectroscopy in archaeometry: An investigation of pre-Columbian Peruvian textiles22 cited
    • 2024Identification of iron gall inks, logwood inks, and their mixtures using Raman spectroscopy, supplemented by reflection and transmission infrared spectroscopy20 cited
    • 2020Impact of organic binders on the carminic-colorants stability studied by: ATR-FTIR, VIS and colorimetry17 cited
    • 2021A combination of invasive and non-invasive techniques for the study of the palette and painting structure of a copy of Raphael's Transfiguration of Christ17 cited
    • 2015Spectroscopic analysis of pigments and inks in manuscripts. III. Old-Slavonic manuscripts with multicolored rubication17 cited
    • 2016Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)15 cited
    • 2021Spectral characterisation of a traditional Mesoamerican dye: relationship between in situ identification on the 16 th century Codex Borbonicus manuscript and composition of Justicia spicigera plant extract14 cited
    • 2018Imaging the Surface of a Hand-Colored 19th Century Daguerreotype14 cited
    • 2019A combination of techniques to study Chinese traditional Lajian paper13 cited