MEANING MATTERS: COLLABORATING WITH CONTEMPORARY ARTISTS

Abstract

Conservators of modem art often work closely with contemporary artists, not only during the preservation of their work but increasingly during the creative process itself. This paper characterizes some of these interactions by looking at three case studies of sculptures and installations at Tate, London. Respect for the artist’s intent and the integrity of the work imposes the need for certain interventions which would not normally be considered accepted practice when treating a work of art. Works by Anish Kapoor, Rachel Whiteread and Anya Gallacio are discussed to reflect a range of collaborative approaches within the conventional objective of conserving artworks while respecting the artist’s intention. The case studies illustrate a shift in perception, from the importance of the material of an artwork towards an emphasis on the artist’s meaning or context.

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