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Sauvages, sex roles, and semiotics: Representations of Native Americans in the French ballet, 1736–1837, part one: The eighteenth century
12 references·1 citing·31 second hop
Sauvages, sex roles, and semiotics: Representations of Native Americans in the French ballet, 1736–1837, part one: The eighteenth century (2000)Sauvages, sex roles, and semiotics: Repre…The romantic ballet in Paris (2008)The romantic ballet in ParisThe International Encyclopedia of Dance (1998)The International Encyclopedi…Féeries d'opéra : décors, machines et costumes en France, 1645-1765 (1997)Féeries d'opéra : décors, mac…I.Le Diable Boiteux:French society behind a Spanish facade (1994)I.Le Diable Boiteux:French so…Tender geographies: women and the origins of the novel in France (1992)Tender geographies: women and…Music in the classic period : essays in honor of Barry S. Brook (1985)Music in the classic period :…Sexuality and Social Order: The Debate over the Fertility of Women and Workers in France, 1770-1920. (1984)Sexuality and Social Order: T…Rameau's American dancers (1983)Rameau's American dancersHistorical Metaphors and Mythical Realities (1981)Historical Metaphors and Myth…Women, Salons, and Social Stratification in Seventeenth-Century France (1978)Women, Salons, and Social Str…Les Indes galantes (1975)Les Indes galantesThe Last of the Mohicans: A Narrative of 1757 (1826)The Last of the Mohicans: A N…Behind the Veil of Translucence: An Intertextual Reading of theBallet Fantastiquein France, 1831–1841. Part One. Ancestors of the Sylphide in theConte Fantastique (2004)Behind the Veil of Translucen…Women in revolutionary Paris 1789-1795 (1979)Reading for the plot : design and intention in narrative (1984)Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830-1930 (1987)Knud Arne Jürgensen, The Verdi Ballets. Parma: Istituto Nazionale di Studi Verdiani (Premio Internazionale Rotary Club di Parma ‘Giuseppe Verdi’ 4), 1995. (1997)The Travesty Dancer in Nineteenth-Century Ballet (1985)Ballet as ideology:Giselle,Act II (1986)Patterns of Dominance: Men, Women, and Homosexuality in Dance (1987)Peopling the Stage: Opera, Otherness, and New Musical Representations in the Eighteenth Century (1997)Of Cannibals and the Recycling of Otherness (2005)Comparative Organography in Early Modern Empires (2009)‘Ce rond de sciences…nommé Encyclopédie’ (2021)‘Crittickize uppon the smallest word’ (2021)Painting as ‘Reall Performance’ in Rembrandt’s Studio (2021)The Cambridge History of Literary Criticism (1997)Eighteenth-century women poets (2005)Historical Research on the Self and Emotions (2009)The Lynx in Time: Haudenosaunee Women's Traditions and History (1997)Television news as narrative (2005)The Myths That Made America (2014)Generation in Medieval Islamic Medicine (2018)Linnaeus and the Love Lives of Plants (2018)The Keywords ‘Generation’ and ‘Reproduction’ (2018)Belly Dance: Orientalism—Exoticism—Self-Exoticism (2003)Whiteness and the Performance of Race in American Ballroom Dance (2007)Musical Styles and Song Conventions (2012)(De)Translating Mozart: The Magic Flute in 1909 Paris (2012)The rival sirens: performance and identity on Handel's operatic stage (2014)Opera in Warsaw (2024)Theory in Anthropology since the Sixties (1984)Resistance and the Problem of Ethnographic Refusal (1995)Language and Agency (2001)
this work references cited by second hop

References

  • 1981Historical Metaphors and Mythical Realities1,142 cited
  • 1992Tender geographies: women and the origins of the novel in France439 cited
  • 1826The Last of the Mohicans: A Narrative of 175794 cited
  • 1998The International Encyclopedia of Dance80 cited
  • 1984Sexuality and Social Order: The Debate over the Fertility of Women and Workers in France, 1770-1920.50 cited
  • 2008The romantic ballet in Paris29 cited
  • 1983Rameau's American dancers28 cited
  • 1978Women, Salons, and Social Stratification in Seventeenth-Century France27 cited
  • 1985Music in the classic period : essays in honor of Barry S. Brook26 cited
  • 1994I.Le Diable Boiteux:French society behind a Spanish facade8 cited
  • 1975Les Indes galantes6 cited
  • 1997Féeries d'opéra : décors, machines et costumes en France, 1645-17654 cited

Cited by

  • 2004Behind the Veil of Translucence: An Intertextual Reading of theBallet Fantastiquein France, 1831–1841. Part One. Ancestors of the Sylphide in theConte Fantastique3 cited

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