SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Bodied Spaces: Phenomenology and Performance in Contemporary Drama
0 references·16 citing·50 second hop
Bodied Spaces: Phenomenology and Performance in Contemporary Drama (1998)Bodied Spaces: Phenomenology and Performa…Experimental Beckett (2020)Experimental BeckettRuPaul’s Drag Race: A study in the commodification of white ruling-class femininity and the etiolation of drag (2018)RuPaul’s Drag Race: A study i…Writing and the Modern Stage: Theater beyond Drama (2017)Writing and the Modern Stage:…"Intimacy" at the Sam Wanamaker Playhouse (2017)"Intimacy" at the Sam Wanamak…Science in contemporary British theatre: a conceptual approach (2013)Science in contemporary Briti…Mutata corpora : Ovid's Changing Forms and the Metamorphic Bodies of Pantomime Dancing (2013)Mutata corpora : Ovid's Chang…Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes (2013)Interrupting Flow: Researchin…Toward a Definition of Post-Brechtian Performance: The Example of In the Jungle of the Cities at the Berliner Ensemble, 1971 (2011)Toward a Definition of Post-B…Salomé!! Sarah Bernhardt, Oscar Wilde, and the Drama of Celebrity (2011)Salomé!! Sarah Bernhardt, Osc…The Cambridge Introduction to Scenography (2009)The Cambridge Introduction to…“Berlin … Your Dance Partner Is Death” (2009)“Berlin … Your Dance Partner …Antigone's Bones (2008)Antigone's BonesThe Look of Speech (2007)The Look of SpeechDead Center: Tragedy and the Reanimated Body in Marina Carr’s The Mai and Portia Coughlan (2006)Dead Center: Tragedy and the …Toward a Phenomenological Model of the Actor's Embodied Modes of Experience (2004)Toward a Phenomenological Mod…Bridging the Performance Gap: The Body, Cognitive Theory, and Comedia Studies (2003)Bridging the Performance Gap:…Orality and Literacy (1982)Understanding Comics: The Invisible Art (1998)Liveness: performance in a mediatized culture (2008)Alarums:Edward IIand the Staging of History (2018)Marlowe in Miniature:Dido, Queen of Carthageand the Children of the Chapel Repertory (2018)Richard Jones,Tamburlaine the Great,and the Making (and Remaking) of a Serial Play Collection in the 1590s (2018)Visual Pleasure and Narrative Cinema (1975)Volatile bodies: toward a corporeal feminism (1995)3.2. MARXISM AND LITERATURE (2006)Economy (2018)Riddles (2018)Phenomenology of Perception. (1964)Phenomenology of Perception (1982)The Body in the Mind (1987)The art of creating a Kathakali performer’s ‘Presence’ (2015)Analytic Productions in Post-Intentional Phenomenological Research (2016)Silence and Attunement in Legal Performance (2019)How To Do Things With Words (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)Moveable worlds/Digital scenographies (2010)Ismene's Forced Choice: Sacrifice and Sorority in Sophocles' Antigone (2011)Material Remains at Play (2012)The Interpretation of Cultures (2017)The reflective practitioner: How professionals think in action (1984)The Reflective Practitioner: How Professionals Think in Action (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Carnival, Sexual Violence and Harm at Australian Music Festivals (2021)Nightlife Ethnography: A Phenomenological Approach (2021)Illuminations: Essays and Reflections (1968)Democracy in America (2000)The Work of Art in the Age of Mechanical Reproduction (2007)Empty Orchestra: The Karaoke Standard and Pop Celebrity (2015)The Celebrity of Exilic Romance: Francisco de Miranda and Lord Byron (2016)Domestic Melodrama (2018)Over Her Dead Body: Death, Femininity and the Aesthetic (1994)Mourning Sex: Performing Public Memories (1997)The Birth of Tragedy and Other Writings (1999)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Shakespeare, Technicity, Theatre (2020)Steps to an Ecology of Mind (1973)Laboratory Life: The Construction of Scientific Facts (1986)Meeting the Universe Halfway (2007)Samuel Beckett's Geological Imagination (2020)Absorption and Theatricality (2022)The Presentation of Self in Everyday Life. (1956)The Production of Space (1992)The Tacit Dimension (1997)On Scenography: Editorial (2013)A ‘choréographie’ of light and space: Adolphe Appia and the first scenographic turn (2015)Sounding out ‘the scenographic turn’: eight position statements (2015)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2004Toward a Phenomenological Model of the Actor's Embodied Modes of Experience95 cited
  • 2009The Cambridge Introduction to Scenography90 cited
  • 2011Salomé!! Sarah Bernhardt, Oscar Wilde, and the Drama of Celebrity54 cited
  • 2013Mutata corpora : Ovid's Changing Forms and the Metamorphic Bodies of Pantomime Dancing37 cited
  • 2013Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes36 cited
  • 2009“Berlin … Your Dance Partner Is Death”31 cited
  • 2007The Look of Speech28 cited
  • 2008Antigone's Bones20 cited
  • 2017Writing and the Modern Stage: Theater beyond Drama20 cited
  • 2020Experimental Beckett19 cited
  • 2017"Intimacy" at the Sam Wanamaker Playhouse18 cited
  • 2003Bridging the Performance Gap: The Body, Cognitive Theory, and Comedia Studies17 cited
  • 2018RuPaul’s Drag Race: A study in the commodification of white ruling-class femininity and the etiolation of drag17 cited
  • 2011Toward a Definition of Post-Brechtian Performance: The Example of In the Jungle of the Cities at the Berliner Ensemble, 197115 cited
  • 2006Dead Center: Tragedy and the Reanimated Body in Marina Carr’s The Mai and Portia Coughlan

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

14 cited
  • 2013Science in contemporary British theatre: a conceptual approach13 cited