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Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries
16 references·0 citing·39 second hop
Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Studies in Analysis and History of Theory…7. Heinrich Schenker and Historical Research: Monteverdi's Madrigal Oime, se tanto amate (2017)7. Heinrich Schenker and Hist…The Affinities and Medieval Transposition (1989)The Affinities and Medieval T…A History of Consonance and Dissonance (1989)A History of Consonance and D…On Compositional Process in the Fifteenth Century (1987)On Compositional Process in t…The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process (1984)The Milan Partbooks: Evidence…A Sixteenth-Century Attempt at Music Criticism (1983)A Sixteenth-Century Attempt a…A Florentine Chansonnier from the Time of Lorenzo the Magnificent (1983)A Florentine Chansonnier from…Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance (1982)Emulation, Competition, and H…Tonal Types and Modal Categories in Renaissance Polyphony (1981)Tonal Types and Modal Categor…Madrigal, Monody, and Monteverdi's "Via Naturale Alla Immitatione" (1981)Madrigal, Monody, and Monteve…The Recognition of Major and Minor Keys in German Theory: 1680-1730 (1978)The Recognition of Major and …Major-Minor Concepts and Modal Theory in Germany, 1592-1680 (1977)Major-Minor Concepts and Moda…Mode and Structure in the Masses of Josquin (1973)Mode and Structure in the Mas…Mannerism in Italian Music and Culture (1969)Mannerism in Italian Music an…Tone System in the Secular Works of Guillaume Dufay (1965)Tone System in the Secular Wo…Tonality and Atonality in Sixteenth Century Music (1962)Tonality and Atonality in Six…L'antica musica : ridotta alla moderna prattica (1959)Does Imitatio Exist? (1994)Counterpoint pedagogy in the Renaissance (2002)Women and Music in Sixteenth-Century Ferrara (2018)Castiglione: The Ideal and the Real in Renaissance Culture (1983)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)Vocal performance in the seventeenth century (2012)The Cambridge History of Music Criticism (2019)Source Readings in Music History (1950)Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)Music Printing in Renaissance Venice (1998)Guillaume Du Fay: The Life and Works (2018)Harvard Dictionary of Music (1946)European Literature and the Latin Middle Ages (1954)European Literature and the Latin Middle Ages (1956)Reading and Reminiscence: Tinctoris on the Beauty of Music (1996)Playing with history: the historical approach to musical performance (2003)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Science and civic life in the Italian Renaissance (1981)Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype (1992)‘In Love's harmonious consort’? Penelope and the interpretation ofIl ritorno d'Ulisse in patria (1993)Le Origini del Melodramma (2008)The Italian Madrigal (2019)Reimagine to Revitalise (2021)The Loeb Classical Library in 1954 (1955)Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition 1350-1450 (1973)The seventeenth-century musical ‘work’ (2005)Prose della volgar lingua (2019)The Cambridge History of Sixteenth-Century Music (2019)War and Music in the Sixteenth Century (1989)The early commedia dell'arte (1550-1621): the mannerist context (1995)Music, antiquity and self-fashioning in the Accademia dei Lincei (2015)An Eighteenth-Century Theory of Musical Cognition? (2018)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)The evolution of human music in light of increased prosocial behavior: a new model (2023)False Relations and Chromaticism in Sixteenth-Century Music (1977)Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone (2019)Johannes Brassart and Johannes de Sarto (1992)The Cambridge History of Musical Performance (2012)
this work references cited by second hop

References

  • 1981Tonal Types and Modal Categories in Renaissance Polyphony172 cited
  • 1989A History of Consonance and Dissonance122 cited
  • 1987On Compositional Process in the Fifteenth Century119 cited
  • 1983A Florentine Chansonnier from the Time of Lorenzo the Magnificent110 cited
  • 1982Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance109 cited
  • 1983A Sixteenth-Century Attempt at Music Criticism86 cited
  • 1984The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process59 cited
  • 1981Madrigal, Monody, and Monteverdi's "Via Naturale Alla Immitatione"51 cited
  • 1969Mannerism in Italian Music and Culture42 cited
  • 1962Tonality and Atonality in Sixteenth Century Music35 cited
  • 1978The Recognition of Major and Minor Keys in German Theory: 1680-173030 cited
  • 20177. Heinrich Schenker and Historical Research: Monteverdi's Madrigal Oime, se tanto amate22 cited
  • 1989The Affinities and Medieval Transposition20 cited
  • 1977Major-Minor Concepts and Modal Theory in Germany, 1592-168020 cited
  • 1973Mode and Structure in the Masses of Josquin18 cited

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1965
Tone System in the Secular Works of Guillaume Dufay
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