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This paper opens with an historical outline of the theories and techniques of the conjunction of music and text, from Plato to Schopenhauer, and proceeds to a more detailed discussion of music and text in the twentieth century. The second part of the paper describes a proposed method for the analysis of the conjunction of music and text in contemporary composition.
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Stored only when both papers are in the corpus — 26 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.