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μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts
4 references·16 citing·43 second hop
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this work references cited by second hop

References

  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 1970VERDIGRIS AND COPPER RESINATE144 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
  • 2004Raman spectroscopy in art and archaeology86 cited

Cited by

  • 2016Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods86 cited
  • 2013The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings76 cited
  • 2012Application of spectroscopic techniques to the study of illuminated manuscripts: A survey75 cited
  • 2009Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems71 cited
  • 2011XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations64 cited
  • 2010Forgery detection on an Arabic illuminated manuscript by micro‐Raman and X‐ray fluorescence spectroscopy59 cited
  • 2015Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning56 cited
  • 2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
  • 2019X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications

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54 cited
  • 2014Macroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range53 cited
  • 2010The examination of works of art using in situ XRF line and area scans52 cited
  • 2011Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations51 cited
  • 2018Macroscopic X-ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization47 cited
  • 2017Metastructure of illuminations by infrared thermography46 cited
  • 2014Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques38 cited
  • 2017The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques37 cited