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Previous studies of colourless Romano‐British vessel glasses have suggested that, regardless of vessel type, they show considerable compositional homogeneity. Intriguing differences in variability (as opposed to mean composition) have, however, also emerged. This paper reports on a compositional study of 243 vessels, that is larger and more carefully controlled than in previous studies of this kind. Unexpected compositional differences have been found both between and within the four vessel types studied. We discuss the implications of these results in the context of different models that have been proposed for glass‐making and glass‐working in the Roman world.
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