On Modern British Fiction

Abstract

1: James Wood: V.S. Pritchett and English Comedy 2: P.N. Furbank: No Laughing Matter: A Word on Angus Wilson 3: Ian McEwan: Mother Tongue - A Memoir 4: Christopher Hitchens: Between Waugh and Wodehouse: Comedy and Conservatism 5: Elaine Showalter: Ladlit 6: Michael Wood: Enigmas and Homelands 7: Hilary Mantel: No Passes or Documents Are Needed: The Writer at Home in Europe 8: Wendy Lesser: Penelope 9: Katherine Bucknell: Why Christopher Isherwood Stopped Writing Fiction 10: Valentine Cunningham: Shaping Modern English Fiction: The Forms of the Content and the Contents of Form 11: Liam McIlvanney: The Politics of Narrative in the Post-war Scottish Novel 12: Patrick Parrinder: The Ruined Futures of British Science Fiction 13: Martin Priestman: P.D. James and the Distinguished Thing 14: Elizabeth Jane Howard: The Novel Adapted for Television 15: Martin Amis: Against Dryness 16: Dan Franklin: Commissioning and Editing Modern Fiction 17: Lindsay Duguid: Before it Becomes Literature: How Fiction Reviewers Have Dealt with the English Novel.

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