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The World According to Hollywood, 1918-1939.
0 references·15 citing·45 second hop
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  • 2013Accessible filmmaking: Joining the dots between audiovisual translation, accessibility and filmmaking95 cited
  • 2021Universally speaking: Lost in Translation and polyglot cinema48 cited
  • 2001Runaway Production, Runaway Consumption, Runaway Citizenship: The New International Division of Cultural Labor40 cited
  • 2004Always a Partner in Crime: Black Masculinity in the Hollywood Detective Film32 cited
  • 2013Silencing Cinema26 cited
  • 2011Tarantino’s Inglourious Basterds: a blueprint for dubbing translators?25 cited
  • 2002Contagion and the Boundaries of the Visible: The Cinema of World Health17 cited
  • 2015Memories in Context: The Social and Economic Function of Cinema in 1950s Rome15 cited
  • 2011The Tango on Broadway: Carlos Gardel's International Stardom and the Transition to Sound in Argentina15 cited
  • 2017Regulating cinematic stories about reproduction: pregnancy, childbirth, abortion and movie censorship in the US, 1930–195814 cited
  • 2010Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-192310 cited
  • 2002A cultural history of cinema-going in the Illawarra (1900-1950)8 cited
  • 2007Parleying Culture Against Trade: Hollywood’s Affairs With Korea’s Screen Quotas8 cited
  • 2011

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Empire films and the dissemination of Americanism in colonial India
6 cited
  • 2004Woof, Warp, History6 cited