SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Dario Fo: Stage, Text, and Tradition
0 references·3 citing·12 second hop
Dario Fo: Stage, Text, and Tradition (2001)Dario Fo: Stage, Text, and TraditionAUTOMATIC WRITING AND GRAMMELOT IN CLAUDE VIVIER'SLANGUE INVENTÉE (2014)AUTOMATIC WRITING AND GRAMMEL…Resisting Rossini, or Marlon Brando plays Figaro (2011)Resisting Rossini, or Marlon …"Imaginary Imperialism": Goldoni Stages China in 18th Century Italy (2002)"Imaginary Imperialism": Gold…The Player's Passion: Studies in the Science of Acting (1986)The Oxford illustrated history of opera (1995)Stanislavsky in Focus (2000)Beware the Lamb: Staging Bach's Passions (2014)Studying the Lied: (2014)Opera in Performance: “Regietheater” and the Performative Turn (2019)Learning to Curse: Essays in Early Modern Culture (1991)Imperial Eyes: Travel Writing and Transculturation. (1993)Culture and Imperialism. (1994)Virgin Words: Hildegard of Bingen's Lingua ignota and the Development of Imaginary Languages Ancient to Modern (1991)False Accents: Embodied Dialects and the Characterization of Ethnicity and Nationality (2004)A Voice and Nothing More (2006)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2011Resisting Rossini, or Marlon Brando plays Figaro6 cited
  • 2002"Imaginary Imperialism": Goldoni Stages China in 18th Century Italy2 cited
  • 2014AUTOMATIC WRITING AND GRAMMELOT IN CLAUDE VIVIER'SLANGUE INVENTÉE2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work