The philosophy and psychology of the scenographic house in multimedia theatre

Abstract

ABSTRACTThe full-scale house has a long history in theatrical set design, and the addition of video projections and digital effects in recent multimedia theatre has resulted in some extraordinary productions that compress or reconfigure ideas of time, space and place, and interrogate the close interrelationships between the macro and micro, and the real and the unreal. Digitally enhanced house sets and facades in works by Heiner Goebbels, Keith Armstrong, the Builders Association, Uninvited Guests and La Fura Dels Baus/ENO are analysed in relation both to their psychological effects on audiences and to philosophical readings, from Gaston Bachelard's notions of childhood memory and ‘intimate immensity’ to Sigmund Freud's theories of the uncanny [unheimlichj. Heiner Goebbel's Eraritjaritjaka (2004) provides a central case study, where the initial familiarity and beauty of the white house facade draws the audience in with a wondrous, childlike anticipation that gives way to a vertiginous sense of haunting an...

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