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Chaucer and the Imagery of Narrative: The First Five Canterbury Tales
0 references·16 citing·47 second hopsampled
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  • 2005Philosophical Chaucer: love, sex, and agency in The Canterbury tales165 cited
  • 1994Gender and Romance in Chaucer's "Canterbury Tales"110 cited
  • 1997Gender and Romance in Chaucer's 'Canterbury Tales'92 cited
  • 2010Stumbling Blocks Before the Blind89 cited
  • 2013Animal encounters: contacts and concepts in medieval Britain83 cited
  • 2003Gestures and Looks in Medieval Narrative63 cited
  • 2001Pale Faces: Race, Religion, and Affect in Chaucer’s Texts and Their Readers45 cited
  • 2001Narrative Voice: The Case of Chaucer's Man of Law's Tale41 cited
  • 2002Beyond Rome: Mapping Gender and Justice in The Man of Law’s Tale38 cited
  • 2000Naturalism and its Discontents in the Miller's Tale34 cited
  • 2013Premodern Media and Networks of Transmission in theMan of Law’s Tale31 cited
  • 1992Discourse and the Problem of Closure in theCanterbury Tales31 cited
  • 2007From Tavern to Pie Shop: The Raw, the Cooked, and the Rotten in Fragment 1 of Chaucer'sCanterbury Tales29 cited
  • 2013Among Other Possible Things: The Cosmopolitanisms of Chaucer’s “Man of Law’s Tale”27 cited
  • 2007

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Affective Politics in Chaucer’s Reeve’s Tale: “Cherl” Masculinity after 1381
27 cited
  • 2017Shaping the Archive in Late Medieval England: History, Poetry, and Performance24 cited