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The Jew as Renaissance Man
9 references·5 citing·31 second hop
The Jew as Renaissance Man (1998)The Jew as Renaissance ManThe Principal Navigations Voyages Traffiques and Discoveries of the English Nation (2014)The Principal Navigations Voy…The Principal Navigations Voyages Traffiques and Discoveries of the English Nation (2014)The Principal Navigations Voy…:Shakespeare and the Jews (1996):Shakespeare and the JewsShylock Reconsidered (1990)Shylock Reconsidered:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989):Shakespearean Negotiations: …Shakespearean Negotiations (1988)Shakespearean NegotiationsThe Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama (1979)The Tudor Play of Mind: Rheto…The Tudor Play of Mind (1978)The Tudor Play of MindCoryat's Crudities (1905)Coryat's CruditiesWas Shylock Jewish? (2013)Was Shylock Jewish?The Jew as Racial “Villain”: a Historico-Generic Interpretation of Shylock, Iago and Barabbas as Victims of Racial Circumstances in Elizabethan Drama. (2013)The Jew as Racial “Villain”: …Urban Identity and the Old Jewry in Jonson's Every Man in his Humour (2012)Urban Identity and the Old Je…Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays (2004)Cross-Dressing, Gender, and A…Theatrical History in the Croxton Play of the Sacrament (1999)Theatrical History in the Cro…The body in pain (1985)The Eighteenth Brumaire of Louis Bonaparte (1996)5. The Practice of Everyday Life (2000)Sacrilege and Theatricality: the Croxton Play of the Sacrament (2003)Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament (2007)Machines in the Garden (2012)The New Sociology of Knowledge (1994)Literature, Nationalism, and Memory in Early Modern England and Wales (2004)Methodology of the Oppressed (2010)The Doctrine of Election and the Emergence of Elizabethan Tragedy (1984)Distributing Cognition in the Globe (2005)Shakespeare and Republicanism (2005)The Cambridge History of Iran (1986)What Did Russians Mean When They Called Themselves “Slaves of the Tsar”? (1998)Iberian Science in the Renaissance: Ignored How Much Longer? (2004)Challenging Diversity: Rethinking Equality and the Value of Difference (2004)The Jewess in Nineteenth-Century British Literary Culture (2007)Racialization and religion: race, culture and difference in the study of antisemitism and Islamophobia (2012)Vocal colour in English sixteenth~century polyphony (1979)Smyrna's Ashes: Humanitarianism, Genocide, and the Birth of the Middle East (2012)Visible Lives: Black Gondoliers and Other Black Africans in Renaissance Venice (2013)THE SAFAVID PERIOD (1986)Myth and Reality of China's Seventeenth-Century Monetary Crisis (1996)The Hermaphrodite and the Orders of Nature: Sexual Ambiguity in Early Modern France (1995)Statius'Silvaeand the Poetics of Empire (2002)Voice and the Victorian Storyteller (2005)Conflicts of Interest? The Ethics of Usury (1999)Fashioning Jewish Identity in Medieval Western Christendom (2003)Usury and Just Compensation: Religious and Financial Ethics in Historical Perspective (2006)Christine de Pizan’s City of Ladies in Early Modern England (2002)Shakespeare and the Classics (2004)
this work references cited by second hop

References

  • 1988Shakespearean Negotiations1,102 cited
  • 1989:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England504 cited
  • 1979The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama224 cited
  • 1978The Tudor Play of Mind171 cited
  • 1996:Shakespeare and the Jews167 cited
  • 1990Shylock Reconsidered120 cited
  • 2014The Principal Navigations Voyages Traffiques and Discoveries of the English Nation119 cited
  • 2014The Principal Navigations Voyages Traffiques and Discoveries of the English Nation63 cited
  • 1905Coryat's Crudities29 cited

Cited by

  • 1999Theatrical History in the Croxton Play of the Sacrament21 cited
  • 2013Was Shylock Jewish?19 cited
  • 2004Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays13 cited
  • 2012Urban Identity and the Old Jewry in Jonson's Every Man in his Humour2 cited
  • 2013The Jew as Racial “Villain”: a Historico-Generic Interpretation of Shylock, Iago and Barabbas as Victims of Racial Circumstances in Elizabethan Drama.2 cited

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