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Singing in the Victorian world: Tonic sol-fa and discourses of religion, science and Empire in the Cape Colony
16 references·3 citing·27 second hop
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this work references cited by second hop

References

  • 1993Imperial Eyes: Travel Writing and Transculturation.4,974 cited
  • 1900Imperial Eyes4,588 cited
  • 1996Imperial leather: race, gender and sexuality in the colonial contest4,123 cited
  • 1997Imperial Leather: Race, Gender and Sexuality in the Colonial Contest2,601 cited
  • 1991Of Revelation and Revolution, Volume 12,405 cited
  • 1991Of Revelation and Revolution, Volume 1: Christianity, Colonialism, and Consciousness in South Africa1,097 cited
  • 1997Of Revelation and Revolution, Volume 2971 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 1995Reinventing Africa: museums, material culture and popular imagination in late Victorian and Edwardian England189 cited
  • 1989Popular Music in England, 1840-1914. A Social History173 cited
  • 1967The Musical Instruments of the Native Races of South Africa144 cited
  • 1996Civilising barbarians : missionary narrative and African textual response in nineteenth-century South Africa140 cited
  • 2007Primitive Music: An Inquiry Into the Origin and Development of Music, Songs, Instruments, Dances, and Pantomimes of Savage Races109 cited
  • 2005Music theory and natural order from the Renaissance to the early twentieth century102 cited
  • 1880

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The History of Musical Pitch 1
95 cited
  • 1996Denoting Difference: The Writing of the Slave Spirituals89 cited
  • Cited by

    • 2010Choral Research : A Global Bibliography13 cited
    • 2013Spreading the Gospel of Singbewegung6 cited
    • 2023Music and the Cultural Production of Scale4 cited