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Artificial Photoaging of Triterpenes Studied by Graphite-Assisted Laser Desorption/Ionization Mass Spectrometry
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Artificial Photoaging of Triterpenes Studied by Graphite-Assisted Laser Desorption/Ionization Mass Spectrometry (2000)Artificial Photoaging of Triterpenes Stud…Laser-based analytical techniques in cultural heritage science – Tutorial review (2023)Laser-based analytical techni…In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy (2023)In-depth structural and compo…Fluorination technique to identify the type of resin in aged vanishes and lacquers using infrared spectroscopy (2017)Fluorination technique to ide…Natural products such as adhesives in oil paintings (2016)Natural products such as adhe…Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach (2014)Towards a non-invasive quanti…Analysis of dammar resin with MALDI‐FT‐ICR‐MS and APCI‐FT‐ICR‐MS (2012)Analysis of dammar resin with…GC/MS in the Characterisation of Resinous Materials (2009)GC/MS in the Characterisation…The Organic Chemistry of Museum Objects (1988)Ancient Egyptian materials and technology (2000)Modern analytical methods in art and archaeology (2000)Micromorphological and chemical elucidation of the degradation mechanisms of birch bark archaeological artefacts (2015)From Neandertals to modern humans: New data on the Uluzzian (2018)Hafting of Middle Paleolithic tools in Latium (central Italy): New data from Fossellone and Sant’Agostino caves (2019)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Organic Mass Spectrometry in Art and Archaeology (2009)Oleanolic and ursolic acid in dammar and mastic resin: isomer discrimination by using ToF‐SIMS and multivariate statistics (2016)Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Instrumental techniques in the analysis of natural red textile dyes (2019)The Organic Chemistry of Museum Objects (1987)New perspectives in the non-invasive, in situ identification of painting materials: The advanced MWIR hyperspectral imaging (2017)Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study (2020)Classification of archaeological adhesives from Eastern Europe and Urals by ATR‐FT‐IR spectroscopy and chemometric analysis (2021)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Detecting molecular changes in UV laser-ablated oil/diterpenoid resin coatings using micro-Raman spectroscopy and Laser Induced Fluorescence (2018)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)Varnish technology during the 16th–18th century: The use of pumice and bone ash as solid driers (2020)Fluorescence of Paint and Varnish Layers (Part III) (1982)Accelerated Aging, Photochemical and Thermal Aspects (1996)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Physico‐chemical characterisation and light stability of dyes and pigments found in cultural heritage objects: Insights from microfading testing for assessing light fastness (2024)
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  • 2009GC/MS in the Characterisation of Resinous Materials36 cited
  • 2014Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach35 cited
  • 2012Analysis of dammar resin with MALDI‐FT‐ICR‐MS and APCI‐FT‐ICR‐MS32 cited
  • 2016Natural products such as adhesives in oil paintings12 cited
  • 2023Laser-based analytical techniques in cultural heritage science – Tutorial review11 cited
  • 2017Fluorination technique to identify the type of resin in aged vanishes and lacquers using infrared spectroscopy11 cited
  • 2023In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy8 cited

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