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The Social Poetics of the Red River Jig in Alberta and Beyond
8 references·0 citing·28 second hop
The Social Poetics of the Red River Jig in Alberta and Beyond (2008)The Social Poetics of the Red River Jig i…The poetics of “Sufi” practice: Drumming, dancing, and complex agency at Madho Lāl Husain (and beyond) (2006)The poetics of “Sufi” practic…Once Again: On the Concept of "Second Existence Folk Dance" (2001)Once Again: On the Concept of…Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Signs of Imagination, Identit…Cultural Intimacy: Social Poetics in the Nation-State (1996)Cultural Intimacy: Social Poe…The Crooked Stovepipe: Athapaskan Fiddle Music and Square Dancing in Northeast Alaska and Northwest Canada (1995)The Crooked Stovepipe: Athapa…Old Indian and Metis Fiddling in Manitoba: Origins, Structure and Question of Syncretism. (1988)Old Indian and Metis Fiddling…The Anthropology of Dance (1977)The Anthropology of DanceDance-Music Interdependence (1957)Dance-Music InterdependenceThe Anthropology of the Body (1977)The State of Research on Performance in Africa (1991)Leisure and culture: Issues for an anthropology of leisure (1998)II. Dance Ethnology and the Anthropology of Dance (2000)Philosophical Writings of Peirce (1955)From Ritual to Theatre: The Human Seriousness of Play (1983)Selections from the prison notebooks of Antonio Gramsci (2015)Spiritualising Marginality: Sufi Concepts and the Politics of Identity in Pakistan (2017)A Drama of Saintly Devotion: Performing Ecstasy and Status at the Shaam-e-Qalandar Festival in Pakistan (2018)Cultural and Religious Perspective on the Sufi Shrines (2018)Once Again: On the Concept of “Folk Dance” (1968)Folklore and Folklife: An Introduction (1973)Writing Culture: The Poetics and Politics of Ethnography (1986)The Transformation of Traditional Dance from Its First to Its Second Existence: The Effectiveness of Music - Movement Education and Creative Dance in the Preservation of Our Cultural Heritage (2017)NamaduDrum Music and Dance as Mediation of Healing Rituals among the Bagwere People of Uganda (2020)Steps to an Ecology of Mind (1973)Record and Hold: Popular Music between Personal and Collective Memory (2006)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Course in General Linguistics (2017)Handbook of Musical Identities (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Beyond “the State” and Failed Schemes (2005)Audit Culture Revisited (2015)National Identity, Popular Culture and Everyday Life (2020)Crooked as the Road to Branch: Asymmetry in Newfoundland Dance Music (2007)Fiddling with Technology: The Effect of Media on Newfoundland Traditional Musicians (2007)Locating the Choreomusical: The Case of European and American Dance Fiddling (2016)Re-placing Performance: A case study of the Yukon music scene in the Canadian north (2001)
this work references cited by second hop

References

  • 1996Cultural Intimacy: Social Poetics in the Nation-State938 cited
  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 1977The Anthropology of Dance135 cited
  • 2006The poetics of “Sufi” practice: Drumming, dancing, and complex agency at Madho Lāl Husain (and beyond)35 cited
  • 2001Once Again: On the Concept of "Second Existence Folk Dance"32 cited
  • 1995The Crooked Stovepipe: Athapaskan Fiddle Music and Square Dancing in Northeast Alaska and Northwest Canada9 cited
  • 1957Dance-Music Interdependence6 cited
  • 1988Old Indian and Metis Fiddling in Manitoba: Origins, Structure and Question of Syncretism.4 cited

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