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Italian Film in the Light of Neorealism
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  • 2003Landscapes of deliquescence in Michelangelo Antonioni'sRed Desert40 cited
  • 2011Against realism: on a ‘certain tendency’ in Italian film criticism30 cited
  • 2015Touch at a distance: toward a phenomenology of film17 cited
  • 2008A short history of film15 cited
  • 2011Double Time: Facing The Future in Migration’s Past14 cited
  • 2009Melodrama as Realism in Italian Neorealism10 cited
  • 1992Film and the new psychology10 cited
  • 2001The Legacy of Mario Camerini in Vittorio De Sica's The Bicycle Thief (1948)7 cited
  • 2017Italian Neorealism7 cited
  • 2014Italian Films, New York City Television, and the Work of Martin Scorsese6 cited
  • 2015Re-envisioning the Nation: Film Neorealism and the Postwar Italian Condition5 cited
  • 2011NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA5 cited
  • 2011Bibliografia essenziale5 cited
  • 1993The Clown and the Circus: Spectacle, Risk, and Reality in Fellini3 cited
  • 2000Unraveling the Legacy: Social Commentary inLadri di saponette1 cited

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  • 2002Pasolini and the Limits of Resistance1 cited