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Rethinking (re)doing: historical re-enactment and/as historiography
16 references·2 citing·27 second hop
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this work references cited by second hop

References

  • 1989How Societies Remember6,079 cited
  • 1988Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory4,127 cited
  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 1999Destination culture: tourism, museums, and heritage1,056 cited
  • 1997Cities of the Dead: Circum-Atlantic Performance.958 cited
  • 2011Performing Remains803 cited
  • 2011Performing remains art and war in times of theatrical reenactment633 cited
  • 1995Theatres of Memory: Past and Present in Contemporary Culture482 cited
  • 1994Mr. Bligh's Bad Language: Passion, Power and Theatre on the Bounty.357 cited
  • 1999Destination Culture340 cited
  • 1988Dyssimulation: Reflexivity, Narrative, and the Quest for Authenticity in “Living History”253 cited
  • 2007History's affective turn: Historical reenactment and its work in the present228 cited
  • 2004Introduction: What Is Reenactment?209 cited
  • 2010‘Practice without theory’: a neuroanthropological perspective on embodied learning195 cited
  • 1993

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Sharing The Dance. Contact Improvisation and American Culture Cynthia J. Novack New Directions in Anthropological Writing. University of Wisconsin Press: Madison, Wisconsin 1990, xvii + 258pp., £23.95
186 cited

Cited by

  • 2021Radical Intangibles: Materializing the Ephemeral15 cited
  • 2022Adela and transformative learning: A Freirean perspective on a community music education project in Melbourne, Australia5 cited