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Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction
13 references·0 citing·28 second hop
Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction (2013)Ten Evenings with Pina: Bausch's "Late" S…From The Emancipated Spectator (2025)From The Emancipated SpectatorJust-in-Time: Performance and the Aesthetics of Precarity (2012)Just-in-Time: Performance and…Dance Returns to American Cultural Diplomacy: The U.S. State Department's 2003 Dance Residency Program and Its After Effects (2012)Dance Returns to American Cul…World stages, local audiences: essays on performance, place, and politics (2011)World stages, local audiences…The Ethics of Sightseeing (2011)The Ethics of SightseeingPina Bausch: Dance Theatre (2008)Pina Bausch: Dance TheatreOn late style: music and literature against the grain (2007)On late style: music and lite…Notes on the German Theatre Crisis (2007)Notes on the German Theatre C…Modernity at Large: Cultural Dimensions of Globalization. (1998)Modernity at Large: Cultural …Tanztheater in Deutschland (1992)Tanztheater in DeutschlandPina Bausch : Tanztheatergeschichten (1986)Pina Bausch : Tanztheatergesc…Pina Bausch-Wuppertal Dance Theater, or, The art of training a goldfish: Excursions into dance (1984)Pina Bausch-Wuppertal Dance T…The Theatre of Pina Bausch (1980)The Theatre of Pina BauschWhat Is to Be Done (1902)Border Crossings: Italian/German Peregrinations of the "Theater of Totality" (1994)Sounding Jewish in Berlin (2021)Cold War Orientalism (2003)The 9/11 Commission Report (2004)The Cultural Politics of Emotion (2013)The Presentation of Self in Everyday Life. (1956)Risk Society, Towards a New Modernity (1994)5. The Practice of Everyday Life (2000)Situating precarity between the body and the commons (2013)Is American Poetry Still a Thing? (2016)Beyond Broadway (2019)Lines of sight: on the visualization of unknown futures (2009)When Opera Meets Film (2010)Geographies of ageing (2014)Deleuze and the Anthropology of Becoming (2010)Wounded cities: Memory-work and a place-based ethics of care (2011)Methodology-21: what do we do in the afterward? (2013)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)Taking the moral turn in tourism studies (2012)Poetry and Tourism in a Global Age (2015)The fantasy of authenticity: Touring with Lacan (2016)Woman, Man, Dog, Tree: Two Decades of Intimate and Monumental Bodies in Pina Bausch's Tanztheater (1998)Pina Bausch, creative industries and the materiality of artistic labour (2009)Primitive Rituals, Contemporary Aftershocks: Evocations of the Orientalist ‘Other’ in four productions of 'Le Sacre du printemps' (2013)Horizonte, traço, fantasma - Presenças-ausências: Steve Paxton, Pina Bausch, Kazuo Ono (2020)
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References

  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 2025From The Emancipated Spectator1,648 cited
  • 2007On late style: music and literature against the grain459 cited
  • 2011The Ethics of Sightseeing191 cited
  • 2012Just-in-Time: Performance and the Aesthetics of Precarity46 cited
  • 2007Notes on the German Theatre Crisis30 cited
  • 2012Dance Returns to American Cultural Diplomacy: The U.S. State Department's 2003 Dance Residency Program and Its After Effects29 cited
  • 1980The Theatre of Pina Bausch18 cited
  • 2008Pina Bausch: Dance Theatre16 cited
  • 1984Pina Bausch-Wuppertal Dance Theater, or, The art of training a goldfish: Excursions into dance16 cited
  • 2011World stages, local audiences: essays on performance, place, and politics12 cited
  • 1992Tanztheater in Deutschland9 cited
  • 1986Pina Bausch : Tanztheatergeschichten7 cited

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