The Culture of capital: art, power, and the nineteenth-century middle class

Abstract

failure of the Victorian middle class - a critique, Simon Gunn commerce and the liberal arts - the political economy of art in Manchester, 1775-1860, John Seed class, culture and control - the Sheffield Athanaeum movement and the middle class, Alan White the culture of separate spheres - the role of culture in 19th-century public and private life, Janet Wolff without distinction of party - the Polytechnic Exhibitions in Leeds, 1839-45, Caroline Arscott employer, husband, spectator - Thomas Fairbarn's commission of The Awakening Conscience, Caroline Arscott the partial view - the visual representation of the early 19th-century industrial city, Caroline Arscott and Griselda Pollock.

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