Elder Eatmore and Deacon Jones: Folk religion as humor in black secular recordings, 1918–1961

Teresa L. Reed

5 citations0/0 files storedPopular Music & Society

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Music History and Culture Musicology and Musical Analysis Theater, Performance, and Music History

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(2001). Elder Eatmore and Deacon Jones: Folk religion as humor in black secular recordings, 1918–1961. Popular Music and Society: Vol. 25, No. 3-4, pp. 25-44.

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References

1981Shuckin' and Jivin': Folklore from Contemporary Black Americans 1997Bound For the Promised Land 1992The rise of gospel blues: the music of Thomas Andrew Dorsey in the urban church 2000Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture 1994Let the good times roll: the story of Louis Jordan and his music 1996How sweet the sound: the golden age of Gospel 1993The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church.1997Ideology and Aurality in the Vernacular Traditions of African-American Music (CA. 1890-1950)

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