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Directing Student Attention during Two-Part Dictation
7 references·9 citing·34 second hop
Directing Student Attention during Two-Part Dictation (1997)Directing Student Attention during Two-Pa…The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice (1989)The Avoidance of Inner-Voice …Interference of the Transcription Process and Other Selected Variables on Perception and Memory During Melodic Dictation (1986)Interference of the Transcrip…Counterpoint in Composition (1969)Counterpoint in CompositionCounterpoint in Composition (1969)Counterpoint in CompositionElementary Training for Musicians (1947)Elementary Training for Music…Eurhythmics, art and education (1930)Eurhythmics, art and educationNeue musikalische Theorien und Phantasien (1906)Neue musikalische Theorien un…Building a mental toolbox: Relationships between strategy choice and sight-singing performance in higher education (2022)Building a mental toolbox: Re…The singing effect during melodic dictation (2021)The singing effect during mel…Effects of Two Approaches to Rhythmic Dictation (2020)Effects of Two Approaches to …Formal or informal—which learning approach do music majors prefer? (2018)Formal or informal—which lear…Effects of music notation reinforcement on aural memory for melodies (2015)Effects of music notation rei…Three Music Education Majors’ Journeys Through Aural Skills 101 (2014)Three Music Education Majors’…The effect of directing attention on melodic dictation testing (2014)The effect of directing atten…A SYSTEMATIC REVIEW OF MUSIC TEACHER EDUCATION RESEARCH WITHIN THE UNITED STATES: 1982-2010 (2012)A SYSTEMATIC REVIEW OF MUSIC …Dictation Strategies of First-Year University of Music Students (2010)Dictation Strategies of First…College Music Symposium (1962)Missouri Journal of Research in Music Education, 1989-1994. (1994)Aural Skills Acquisition: The Development of Listening, Reading, and Performing Skills in College-Level Musicians (2000)Development and Validation of the Musical Ear Training Assessment (META) (2018)The interaction of repetition and difficulty for working memory in melodic dictation tasks (2019)Interval Identification Predicts Success in Melodic Dictation (2021)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Cognition and reality (1976)Effects of Various Sightsinging Strategies on Nonmusic Majors' Pitch Accuracy (1993)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Cognitive load theory and music instruction (2007)An Exploration of Undergraduate Music Majors’ Melodic Dictation Strategies (2014)The Hidden Musicians: Music-Making in an English Town. (1990)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Formal and informal learning situations or practices vs formal and informal ways of learning (2006)Educación musical performativa en la formación de intérpretes. Un estudio de caso (2020)Perfiles de aprendizaje musical formal e informal en educación superior (2021)A scoping review of empirical studies on informal music learning (2024)Working Memory (1974)Content Analysis: An Introduction to its Methodology. (1984)Reflecting on reflexive thematic analysis (2019)Experiential and Cognitive Predictors of Sight-Singing Performance in Music Higher Education (2021)Diatonic Connotations of Pitch-Class Sets (1997)Metrical Theory and Verdi's Midcentury Operas (2011)Cyclic Integration in the Instrumental Music of Haydn and Mozart (2019)Rhythmic Movement and Public School Music Education: Conservative and Progressive Views of the Formative Years (1991)Smart environment architecture for emotion detection and regulation (2016)Teaching General Music (2016)New Approaches to the Linear Analysis of Music (1988)Narrative Structures for New Media: Towards a New Definition (1996)The Metaphor of Musical Space (2003)Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities (2021)Satzmodelle des ›Contrapunto alla mente‹ und ihre Bedeutung für den Stilwandel um 1600 (2007)Schumann's a-Minor Mood (2016)
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References

  • 1930Eurhythmics, art and education74 cited
  • 1906Neue musikalische Theorien und Phantasien51 cited
  • 1986Interference of the Transcription Process and Other Selected Variables on Perception and Memory During Melodic Dictation37 cited
  • 1989The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice36 cited
  • 1947Elementary Training for Musicians31 cited
  • 1969Counterpoint in Composition31 cited
  • 1969Counterpoint in Composition30 cited

Cited by

  • 2014The effect of directing attention on melodic dictation testing18 cited
  • 2018Formal or informal—which learning approach do music majors prefer?13 cited
  • 2022Building a mental toolbox: Relationships between strategy choice and sight-singing performance in higher education8 cited
  • 2014Three Music Education Majors’ Journeys Through Aural Skills 1018 cited
  • 2015Effects of music notation reinforcement on aural memory for melodies5 cited
  • 2021The singing effect during melodic dictation4 cited
  • 2020Effects of Two Approaches to Rhythmic Dictation4 cited
  • 2010Dictation Strategies of First-Year University of Music Students4 cited

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  • 2012A SYSTEMATIC REVIEW OF MUSIC TEACHER EDUCATION RESEARCH WITHIN THE UNITED STATES: 1982-20103 cited