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The Row as Structural Background and Audible Foreground: The First Movement of Webern's First Cantata
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The Row as Structural Background and Audible Foreground: The First Movement of Webern's First Cantata (1971)The Row as Structural Background and Audi…Cycles in Webern’s Late Music (2018)Cycles in Webern’s Late MusicWHEN EVEN BECOMES ODD: A PARTITIONAL APPROACH TO INVERSION (1999)WHEN EVEN BECOMES ODD: A PART…Generalized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Transformation Chains, Associative Areas, and a Principle of Form for Anton Webern’s Twelve-tone Music (2019)The Structure of Atonal Music (1973)Basic atonal theory (1980)Composition With Pitch-Classes (1987)Considering Network Recursion and Bartók’s “Fourths” (2007)
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  • 1999WHEN EVEN BECOMES ODD: A PARTITIONAL APPROACH TO INVERSION6 cited
  • 2018Cycles in Webern’s Late Music5 cited

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