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The Ventriloquist's Dummy: A Critical Review of Shamanism and Rock Art in Far Western North America
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Cited by

  • 2002The Ascendance of Hunting during the California Middle Archaic: An Evolutionary Perspective176 cited
  • 2010Land Use, Land Ideology: An Integrated Geographic Information Systems Analysis of Rock Art Within South-Central California20 cited
  • 2003Marks of Distinction: Rock Art and Ethnic Identification in the Great Basin16 cited
  • 2021Relational ontologies and performance: Identifying humans and nonhuman animals in the rock art from north-eastern Kimberley, Australia11 cited
  • 2006Paradigm Shifts, Rock Art Studies, and the “Coso Sheep Cult” of Eastern California10 cited
  • 2006Is there a shamanism and rock art debate?7 cited
  • 2017Petroglyphs andpuha: how multisensory experiences evidence landscape agency4 cited
  • 2007Yes, there is a ‘shamanism and rock art debate’2 cited
  • 2012The Use and Reuse of Imagery: Ownership, Banning, and Commodification0 cited
  • 2012Ethics and Worldviews0 cited
  • 2024The Divide Between ‘European’ and ‘Indigenous’ Rock Arts: Exploring a Eurocentic Bias in the Age of Globalization0 cited
  • 2012The Interpretation Game and Ways of Knowing the Past0 cited

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