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Seeing Through Seeing Through: The Trompe l'Oeil Effect and Bodily Difference in the Cinema of Tod Browning
6 references·4 citing·28 second hop
Seeing Through Seeing Through: The Trompe l'Oeil Effect and Bodily Difference in the Cinema of Tod Browning (2006)Seeing Through Seeing Through: The Trompe…The Four Fundamental Concepts of Psycho-Analysis (2018)The Four Fundamental Concepts…The arts of deception: playing with fraud in the age of Barnum (2002)The arts of deception: playin…Fetish: An Erotics of Culture (1999)Fetish: An Erotics of CultureEarly Cinema: Space-Frame-Narrative (1992)Early Cinema: Space-Frame-Nar…The Sublime Object of Ideology (1989)The Sublime Object of IdeologyWhat is cinema (1967)What is cinemaTo Believe in Siri (2021)To Believe in SiriThe ELIZA Effect (2021)The ELIZA EffectDeceitful Media (2021)Deceitful MediaThe Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema (2014)The Cinema of Exposure: Spiri…The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)Always Already New (2006)Always already new: media, history, and the data of culture (2007)Understanding Media: The Extensions of Man (1964)Outline of a Theory of Practice (1977)The consequences of modernity (1990)Meeting the Universe Halfway (2006)Ideal technologies, ideal women: AI and gender imaginaries in Redditors’ discussions on the Replika bot girlfriend (2022)Managing the race to the moon: Global policy and governance in Artificial Intelligence regulation—A contemporary overview and an analysis of socioeconomic consequences (2024)The impact of generative artificial intelligence on socioeconomic inequalities and policy making (2024)Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi, May 1817 (1985)Language and Sexuality (2003)Identities and Identity Work in Organizations (2014)Alternative Shakespeares (1987)A Feminist Reader in Early Cinema (2002)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Film as a Teaching Resource (1999)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Uses Of The Other: "The East" in European Identity Formation (1998)Ghostly Matters: Haunting and the Sociological Imagination (1999)Rethinking Critical Theory and Qualitative Research (2011)Modernity, Disenchantment, and the Ironic Imagination (2004)Pictures of Evolution and Charges of Fraud (2006)Modern Magic and the War on Miracles in French Colonial Culture (2009)Spiritual Shakespeares (2005)Catullus, Cicero, and a Society of Patrons: The Generation of the Text (2010)Flashing Your Phone: Sexting and the Remediation of Teen Sexuality (2012)
this work references cited by second hop

References

  • 2018The Four Fundamental Concepts of Psycho-Analysis3,928 cited
  • 1989The Sublime Object of Ideology840 cited
  • 1967What is cinema602 cited
  • 1992Early Cinema: Space-Frame-Narrative214 cited
  • 2002The arts of deception: playing with fraud in the age of Barnum142 cited
  • 1999Fetish: An Erotics of Culture72 cited

Cited by

  • 2021Deceitful Media240 cited
  • 2014The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema14 cited
  • 2021To Believe in Siri8 cited
  • 2021The ELIZA Effect7 cited

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