Absence as Presence, Presence as Parapraxis: On Some Problems of Representing "Jews" in the New German Cinema

Abstract

Absence as PresenceAnyone looking for traces of the Holocaust in postwar West German films of the 1950s and 1960s, is likely to be disappointed: such, at any rate, is the common assumption. 2 But the same seems no less true of the so-called "New German Cinema" of the 1970s: While in the films of some of the well-known names-Edgar Reitz,

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