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Cited by

• 2005Creating the Colonial Subject: Casta Paintings, Collectors, and Critics in Eighteenth-Century Mexico and Spain*64 cited
• 2011'In a Country of Liberty?': Slavery, Villeinage and the Making of Whiteness in the Somerset Case (1772)57 cited
• 2015Inventing exoticism: geography, globalism, and Europe's early modern world39 cited
• 2015Visions of violence in the Haitian Revolution19 cited
• 2015Caribbean Women, Creole Fashioning, and the Fabric of Black Atlantic Writing19 cited
• 2008Caribbean Subjectivity and the Colonial Archive19 cited
• 2003"Some Imperial Institute": Architecture, Symbolism, and the Ideal of Empire in Late Victorian Britain, 1887-9318 cited
• 2009“Excepting Himself”: Olaudah Equiano, Native Americans, and the Civilizing Mission18 cited
• 2006Nature and Scientific Knowledge in the Spanish Empire Introduction17 cited
• 2003Picturing the Caribbean in the Global British Landscape14 cited
• 2005'Taken on the Spot': The Visual Appropriation of New France for the Global British Landscape11 cited
• 2012Speaking in Tongues: Metapictures and the Discourse of Violence in Caribbean Art10 cited
• 2006The Beast in a Box: Playing with Empire in Early Nineteenth-century Britain9 cited
• 2017