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Pigments and binders in “Madonna col Bambino e S. Giovannino” by Botticelli investigated by micro-Raman and GC/MS
6 references·16 citing·39 second hop
Pigments and binders in “Madonna col Bambino e S. Giovannino” by Botticelli investigated by micro-Raman and GC/MS (2008)Pigments and binders in “Madonna col Bamb…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Pigment identification by spectroscopic means: an arts/science interface (2002)Pigment identification by spe…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Application of Raman microspectrometry to arts objects (2000)Application of Raman microspe…Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Gas chromatographic-mass spec…Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Synthesis, structural charact…Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals (2023)Identification of pigments an…Multitechnique diagnostic analysis and 3D surveying prior to the restoration of St. Michael defeating Evil painting by Mattia Preti (2021)Multitechnique diagnostic ana…The application of ELISA to the analysis and research of cementing materials in calligraphy of porcelain relics in Song Dynasty (2020)The application of ELISA to t…Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile) (2018)Characterization of pigments …A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia) (2016)A multi-analytical investigat…On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop (2015)On the Use of the Unusual Gre…Identification of Green Pigment Used in Persian Wall Paintings ( ad 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques (2014)Identification of Green Pigme…Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork (2014)Gold in the Alhambra: study o…Mineralogical Characterization of the Polychrome in Cultural Heritage Artifacts (Antiquity to Date) from Southern Spain Using Micro-Raman Spectroscopy and Complementary Techniques (2013)Mineralogical Characterizatio…The mural paintings of Ala di Stura (Piedmont, Italy): a hidden treasure investigated (2012)The mural paintings of Ala di…Spectroscopic and chromatographic studies of sculptural polychromy in the Zhongshan Grottoes (R.P.C.) (2012)Spectroscopic and chromatogra…GILDINGS AND FALSE GILDINGS OF THE BAROQUE AGE: CHARACTERIZATION AND CONSERVATION PROBLEMS (2012)GILDINGS AND FALSE GILDINGS O…A COMBINED MULTI‐ANALYTICAL APPROACH FOR THE STUDY OF ROMAN GLASS FROM SOUTH‐WEST IBERIA: SYNCHROTRON μ‐XRF, EXTERNAL‐PIXE/PIGE AND BSEM–EDS (2012)A COMBINED MULTI‐ANALYTICAL A…Murillo's paintings revealed by spectroscopic techniques and dedicated laboratory-made micro X-ray diffraction (2010)Murillo's paintings revealed …Multi‐technique investigation of archaeological pottery from Parma (Italy) (2010)Multi‐technique investigation…GC/MS in the Characterisation of Protein Paint Binders (2009)GC/MS in the Characterisation…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc (2008)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Modern analytical methods in art and archaeology (2000)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)An approach to the dynamics of clay firing (1999)Identification and differentiation of ancient and modern European porcelains by Raman macro‐ and micro‐spectroscopy† (2001)On‐site Raman analysis of Medici porcelain (2003)The key role of micro-Raman spectroscopy in the study of ancient pottery: the case of pre-classical Jordanian ceramics from the archaeological site of Khirbet al-Batrawy (2013)Technology issues of Byzantine glazed pottery from Corinth, Greece (2016)Mineralogical Characterization and Firing Temperature Delineation on Minoan Pottery, Focusing on the Application of Micro-Raman Spectroscopy (2019)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Organic Chemistry of Museum Objects (1988)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Classification and identification of organic binding media in artworks by means of Fourier transform infrared spectroscopy and principal component analysis (2011)Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues (2014)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques (2016)On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments (2021)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Compositional and Quantitative Microtextural Characterization of Historic Paintings by Micro-X-ray Diffraction and Raman Microscopy (2011)Microanalysis of clay-based pigments in paintings by XRD techniques (2015)The Structure and Chemical Composition of Wall Paintings From Islamic and Christian Times in the Seville Alcazar (2015)The Organic Chemistry of Museum Objects (1987)Learning from the past, intervening in the present: the role of conservation science in the challenging restoration of the wall painting Marriage at Cana by Luca Longhi (Ravenna, Italy) (2020)Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)Raman microscopy in archaeological science (2004)PIGMENT IDENTIFICATION IN GREEK POTTERY BY RAMAN MICROSPECTROSCOPY* (2004)FT-IR absorbance spectroscopy to study Sicilian “proto-majolica” pottery (2008)Combined approach of FT‐Raman, SERS and IR micro‐ATR spectroscopies to enlighten ancient technologies of painted and varnished works of art (2014)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 1995Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts142 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 2000Application of Raman microspectrometry to arts objects47 cited

Cited by

  • 2016A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)35 cited
  • 2010Multi‐technique investigation of archaeological pottery from Parma (Italy)33 cited
  • 2015On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop33 cited
  • 2010Murillo's paintings revealed by spectroscopic techniques and dedicated laboratory-made micro X-ray diffraction32 cited
  • 2018Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)27 cited
  • 2012

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GILDINGS AND FALSE GILDINGS OF THE BAROQUE AGE: CHARACTERIZATION AND CONSERVATION PROBLEMS
24 cited
  • 2014Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork23 cited
  • 2012A COMBINED MULTI‐ANALYTICAL APPROACH FOR THE STUDY OF ROMAN GLASS FROM SOUTH‐WEST IBERIA: SYNCHROTRON μ‐XRF, EXTERNAL‐PIXE/PIGE AND BSEM–EDS22 cited
  • 2012Spectroscopic and chromatographic studies of sculptural polychromy in the Zhongshan Grottoes (R.P.C.)18 cited
  • 2023Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals17 cited
  • 2021Multitechnique diagnostic analysis and 3D surveying prior to the restoration of St. Michael defeating Evil painting by Mattia Preti17 cited
  • 2013Mineralogical Characterization of the Polychrome in Cultural Heritage Artifacts (Antiquity to Date) from Southern Spain Using Micro-Raman Spectroscopy and Complementary Techniques15 cited
  • 2012The mural paintings of Ala di Stura (Piedmont, Italy): a hidden treasure investigated15 cited
  • 2020The application of ELISA to the analysis and research of cementing materials in calligraphy of porcelain relics in Song Dynasty14 cited
  • 2009GC/MS in the Characterisation of Protein Paint Binders13 cited
  • 2014Identification of Green Pigment Used in Persian Wall Paintings ( ad 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques12 cited