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‘O Sogenes of the Euxenid clan, I swear that I did not, having stepped up to the line, hurl forth my tongue like a bronze-cheeked javelin which sends the neck and strength of limbs without sweat from the wrestling before the limb falls in the glare of the sun.’ Nem. vii 70–3) In the passage given above, Pindar employs the image of the javelin thrower to describe the kind of poet which he is. Within the simile there occurs the participial phrase, τέρμα προβαίς, which I translate as ‘having stepped up to the line’, the line here being the one from which the athlete throws the javelin and over which he cannot step without being penalised. However, before I present my reasons for this interpretation of the phrase, it will be helpful to explain more fully the meaning of the simile. First the image itself. The poet compares himself to a javelin thrower in order to assure the audience that his pronouncements do justice to the merits of the victor. In Greek athletics the javelin throw was one of the five contests which comprised the pentathlon, the other four event being the foot race, discus, long jump, and wrestling.
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