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‘Music of origin’: class, social category and the performers and audience of kiba, a South African migrant genre
16 references·1 citing·33 second hop
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this work references cited by second hop

References

  • 1985Body of Power, Spirit of Resistance1,477 cited
  • 1987Body of Power, Spirit of Resistance: The Culture and History of a South African People.702 cited
  • 1990Studying Popular Music606 cited
  • 1987Popular Arts in Africa539 cited
  • 1990Anthropologies and histories: essays in culture, history, and political economy476 cited
  • 1991Women and gender in southern Africa to 1945454 cited
  • 1989Rethinking Working-Class History415 cited
  • 1988The Politics of Race, Class and Nationalism in Twentieth Century South Africa394 cited
  • 1937Reaction To Conquest: Effects of Contact with Europeans on the Pondo of South Africa350 cited
  • 1983Marxism, feminism and South African studies341 cited
  • 1987In Township Tonight! South Africa's Black City Music and Theatre292 cited
  • 1991Anthropologies and Histories: Essays in Culture, History, and Political Economy277 cited
  • 1987the madman and the migrant: work and labor in the historical consciousness of a South African people271 cited
  • 1992the inversion of tradition259 cited
  • 1986In Township Tonight! South Africa's black city music and theatre257 cited

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1993
Power and the Praise Poem: Southern African Voices in History
249 cited

Cited by

  • 1999Bagagešu (Those of My Home): Women Migrants, Ethnicity, and Performance in South Africa16 cited