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This essay studies the uses and valuation of doxa in the work of Roland Barthes. Omnipresent and multiform, doxa appears there as a power informed by metaphors. The essay then focuses on the analysis of doxa in Barthes'sS/Z, on its relation to the Flaubertian problematics of“received ideas,” and on the impact of this problematics on literary story since the 1970s.
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Stored only when both papers are in the corpus — 19 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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