The New Violent Cartography

Abstract

Abstract Mapping the 'new violent cartography', an inter-articulation of geographic imaginaries and antagonisms, based on models of identity-difference, this article begins with the analysis of a piece of photo-journalism, an image of a US soldier in a bombed-out bunker during the war in Afghanistan, and goes on to trace the institutions that are part of the contemporary aspects of militarization and securitization constituting the 'war on terror'. The article ends with an analysis of the anti-war impetus of cinema and the cinematic spaces of film festivals.

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