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From Anonymous Announcer to Radio Personality, From Pied Piper to Payola: The American Disc Jockey, 1950–1970
8 references·1 citing·29 second hop
From Anonymous Announcer to Radio Personality, From Pied Piper to Payola: The American Disc Jockey, 1950–1970 (1990)From Anonymous Announcer to Radio Persona…The development of the top 40 radio format (1979)The development of the top 40…ASCAP, BMI and the democratization of American popular music (1979)ASCAP, BMI and the democratiz…“From ASCAP to Alan Freed: The pre‐history of rock ‘n’ roll (1978)“From ASCAP to Alan Freed: Th…Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Rock 'N' Roll Is Here to Pay:…Solid Gold: The Popular Record Industry. (1976)Solid Gold: The Popular Recor…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …The evolution of pop music broadcasting: 1920–1972 (1973)The evolution of pop music br…Rock;: From Elvis Presley to the Rolling Stones (1973)Rock;: From Elvis Presley to …Rock Journalists and Music Critics: A Selected Bibliography (2010)Rock Journalists and Music Cr…The Sound of the City: The Rise of Rock and Roll (1971)Apple to the core: The unmaking of the Beatles (1972)Take out my guitar and play: Recruitment of popular music performers (1979)Is rock 'n' roll a symptom of baumol's disease? (1985)The relation between "radio plugs" and sheet sales of popular music. (1940)The Death Rattle of a Laughing Hyena (2018)Why Does Copyright Ignore Performers? The Case of Flamenco in Spain (2019)Does copyright understand intangible heritage? The case of flamenco in Spain (2023)No Respect: Intellectuals and Popular Culture (1990)Performing Rites (1996)Performing rites: on the value of popular music (1997)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)The contemporary American radio audience (1974)Cultural socialization and the development of taste cultures and culture classes in American popular music: Existing evidence and proposed research directions1 (1975)Salsa: Puerto Rican and Latino music (1990)Value Chain Envy: Explaining New Entry and Vertical Integration in Popular Music* (2005)How Do Cultural Producers Make Creative Decisions? Lessons from the Catwalk (2009)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)The British invasion of American popular music: What is it and who pays? (1987)Genre and recalcitrance: Country music's move uptown (1988)Burnishing the brand: Todd Storz and the total station sound (2004)Turning Values into Revenue: The Markets and the Field of Popular Music in the US, the UK and West Germany (1940s to 1980s) (2011)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Music and technoculture (2004)Creativity and Innovation in the Music Industry (2006)
this work references cited by second hop

References

  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1977Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry207 cited
  • 1976Solid Gold: The Popular Record Industry.114 cited
  • 1973The evolution of pop music broadcasting: 1920–197221 cited
  • 1979The development of the top 40 radio format16 cited
  • 1979ASCAP, BMI and the democratization of American popular music10 cited
  • 1973Rock;: From Elvis Presley to the Rolling Stones9 cited
  • 1978“From ASCAP to Alan Freed: The pre‐history of rock ‘n’ roll7 cited

Cited by

  • 2010Rock Journalists and Music Critics: A Selected Bibliography4 cited

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