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Miss Scott and Miss Macauley: “Genius Comes in All Disguises”
3 references·2 citing·12 second hop
Miss Scott and Miss Macauley: “Genius Comes in All Disguises” (1996)Miss Scott and Miss Macauley: “Genius Com…Helena Faucit: Lady Martin (2009)Helena Faucit: Lady MartinIn the Theatre of Romanticism (1994)In the Theatre of RomanticismMadame Vestris and the London stage (1974)Madame Vestris and the London…Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)Foreign Opera at the London P…Continental Opera Englished, English Opera Continentalized:Der Freischützin London, 1824 (2004)Continental Opera Englished, …Authors and Owners: The Invention of Copyright (1993)Britons : Forging the Nation, 1707-1837 (2003)Adaptation and Appropriation (2015)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)Nineteenth-century music (1989)Illegitimate Theatre in London, 1770-1840 (2004)Classical standards in the period (2000)Religion and literature (2000)The Cambridge History of English Romantic Literature (2009)Re-gendering the Libertine; or, the Taming of the Rake: Lucy Vestris as Don Giovanni on the early nineteenth-century London stage (1998)Medea and British Legislation Before The First World War (1999)European Literatures in Britain, 1815–1832: Romantic Translations (2018)
this work references cited by second hop

References

  • 1994In the Theatre of Romanticism173 cited
  • 2009Helena Faucit: Lady Martin36 cited
  • 1974Madame Vestris and the London stage26 cited

Cited by

  • 2015Foreign Opera at the London Playhouses: From Mozart to Bellini6 cited
  • 2004Continental Opera Englished, English Opera Continentalized:Der Freischützin London, 18244 cited

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