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13 C‐Isotope ratio mass spectrometry as a potential tool for the forensic analysis of white architectural paint: a preliminary study
5 references·5 citing·33 second hop
13 C‐Isotope ratio mass spectrometry as a potential tool for the forensic analysis of white architectural paint: a preliminary study (2005)13 C‐Isotope ratio mass spectrometry as a…A GC-MS study on the deterioration of lipidic paint binders (2002)A GC-MS study on the deterior…Forensic Examination of Glass and Paint (2001)Forensic Examination of Glass…GC-MS characterization of paint varnishes (2000)GC-MS characterization of pai…Recent changes in automotive paint formulation using pyrolysis-gas chromatography/mass spectrometry for identification (1997)Recent changes in automotive …Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Gas chromatographic-mass spec…The role of isotope ratio mass spectrometry as a tool for the comparison of physical evidence (2014)The role of isotope ratio mas…Polymers on the crime scene: How can analytical chemistry help to exploit the information from these mute witnesses? (2010)Polymers on the crime scene: …Forensic Analysis of Explosives Using Isotope Ratio Mass Spectrometry (IRMS)—Part 1: Instrument Validation of the DELTAplusXP IRMS for Bulk Nitrogen Isotope Ratio Measurements (2009)Forensic Analysis of Explosiv…An initial evaluation of stable isotopic characterisation of post-blast plastic debris from improvised explosive devices (2009)An initial evaluation of stab…Forensic analysis of wooden safety matches — A case study (2007)Forensic analysis of wooden s…Harmonized guidelines for internal quality control in analytical chemistry laboratories (Technical Report) (1995)A hierarchy of propositions: deciding which level to address in casework (1998)Standards for the formulation of evaluative forensic science expert opinion (2009)A comparison of plastic cable ties based on physical, chemical and stable isotopic measurements (2017)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)New investigations into the Uluburun resin cargo (2008)Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy (2008)LC/MS and LC/MS/MS based protocol for identification of dyes in historic textiles (2009)Quantifying Uncertainty in Analytical Measurement (2012)The forensic analysis of office paper using carbon isotope ratio mass spectrometry—Part 2: Method development, validation and sample handling (2013)Guide to the Expression of Uncertainty in Measurement (the GUM) (2016)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Scientific investigation into the water sensitivity of twentieth century oil paints (2018)Metal Soaps in Art (2019)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Classification and identification of organic binding media in artworks by means of Fourier transform infrared spectroscopy and principal component analysis (2011)Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues (2014)Encyclopedia of forensic science (2004)Stable isotope profiling of burnt wooden safety matches (2009)The application of a new method of Fourier Transform Infrared Spectroscopy to the analysis of burned bone (2008)Intelligence-led crime scene processing. Part I: Forensic intelligence (2009)The Classification of Automobile Paint by Diamond Window Infrared Spectrophotometry Part I: Binders and Pigments (1976)Rapid Forensic Analysis and Identification of “Lilac” Architectural Finishes Using Raman Spectroscopy (2005)Identification of additives in poly(vinylacetate) artist’s paints using PY-GC-MS (2010)Chemical composition of felt-tip pen inks (2017)Discriminating red spray paints by optical microscopy, Fourier transform infrared spectroscopy and X-ray fluorescence (2004)The identification of synthetic organic pigments in modern paints and modern paintings using pyrolysis-gas chromatography–mass spectrometry (2011)Forensic applications of Raman spectroscopy for the in situ analyses of pigments and dyes in ink and paint evidence (2015)
this work references cited by second hop

References

  • 2001Forensic Examination of Glass and Paint149 cited
  • 2002A GC-MS study on the deterioration of lipidic paint binders106 cited
  • 2000GC-MS characterization of paint varnishes92 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 1997Recent changes in automotive paint formulation using pyrolysis-gas chromatography/mass spectrometry for identification46 cited

Cited by

  • 2010Polymers on the crime scene: How can analytical chemistry help to exploit the information from these mute witnesses?32 cited
  • 2009An initial evaluation of stable isotopic characterisation of post-blast plastic debris from improvised explosive devices23 cited
  • 2009Forensic Analysis of Explosives Using Isotope Ratio Mass Spectrometry (IRMS)—Part 1: Instrument Validation of the DELTAplusXP IRMS for Bulk Nitrogen Isotope Ratio Measurements22 cited
  • 2007Forensic analysis of wooden safety matches — A case study21 cited
  • 2014The role of isotope ratio mass spectrometry as a tool for the comparison of physical evidence13 cited

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