SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Photography and Africa
0 references·10 citing·40 second hop
Photography and Africa (2010)Photography and AfricaNo Way Back – Reflections on the Future of the African Photographic Archive (2020)No Way Back – Reflections on …Photo History by Numbers: Charting the Rise and Fall of Commercial Photography in Cameroon (2019)Photo History by Numbers: Cha…A History Shaped by Futures Past: Art, Artists, and the Dialogic Turn at the Smithsonian National Museum of African Art (2017)A History Shaped by Futures P…Visuality and Diasporic Dynamism: Goans in Mozambique and Zanzibar (2016)Visuality and Diasporic Dynam…Producing a World of Remains in Indian Ocean Africa: Discrepant Time, Melancholy Affect and the Subject of Transport in Capital Art Studio, Stone Town, Zanzibar (2016)Producing a World of Remains …Intersecting Archives: Intertextuality and the Early West African Photographer (2015)Intersecting Archives: Intert…Portraiture and photography in Africa (2014)Portraiture and photography i…Of Jumbled Valises and Civil Society: Photography and Political Imagination in Senegal (2010)Of Jumbled Valises and Civil …Fashionable Photography in Mid-Twentieth-Century Senegal (2010)Fashionable Photography in Mi…Eye on Bamako (2010)Eye on BamakoRaw histories: photographs, anthropology and museums (2002)'Photos of the gods': the printed image and political struggle in India (2004)The Civil Contract of Photography (2021)Elements of Semiology (1967)Adorned in dreams: fashion and modernity (1988)Photographs Objects Histories (2004)OfMutualityandCopying: FashioningAso Ebithrough Fashion Magazines in Lagos (2012)Divas and dynamos: Decolonizing Senegalese histories through fashion (2022)Issues of Authorship in the Portrait Photographs of Seydou Keïta (1999)On the Postcolony (2001)Whose environment?: the end of nature, climate change and the process of post-politicization (2011)African Photographers and the Look of (Un)Sustainability in the African Landscape (2014)Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)We have never been modern (1994)The Work of Art in the Age of Mechanical Reproduction (2007)From Context to Text:African Artsand Photography, 1967–2017 (2017)A Spirit of Cosmopolitanism Happily Prevailing in Art: The Chinese Camera Club of South Africa and Transnational Networks of Photography (2018)The consequences of modernity (1990)Imperial Eyes: Travel Writing and Transculturation. (1993)Camera Lucida: Reflections on Photography (2001)Dress Politics and Framing Self in Ghana: The Studio Photographs of Felicia Abban (2016)Pictures and Politics: Using Co-Creative Portraits to explore the social dynamics of the eastern Democratic Republic of the Congo (2016)Mirror images: mediated sociality and the presence of the future (2018)Rethinking Visual Anthropology. (1998)The Indian Ocean (2003)The Graves of TarimGenealogy and Mobility across the Indian Ocean (2006)Moving still: Bicycles in Ranchhod Oza’s photographs of 1950s Stone Town (Zanzibar) (2020)Heritage and Design (2022)Time and the Other: How Anthropology Makes Its Object (1983)Frames of war: when is life grievable? (2009)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)The Field of Cultural Production (1994)The Cameroons from Mandate to Independence (1967)Age of extremes :the short twentieth century 1914-1991 (1994)Self and Accessory in Gambian Studio Photography (2000)Bounding an archiving: assessing the relative completeness of the Jacques Toussele archive using pattern-matching and face-recognition (2021)Archaeology of Knowledge (1970)The cultural biography of things: commoditization as process (1986)5. The Practice of Everyday Life (2000)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014Portraiture and photography in Africa28 cited
  • 2016Visuality and Diasporic Dynamism: Goans in Mozambique and Zanzibar23 cited
  • 2010Of Jumbled Valises and Civil Society: Photography and Political Imagination in Senegal21 cited
  • 2010Fashionable Photography in Mid-Twentieth-Century Senegal16 cited
  • 2010Eye on Bamako6 cited
  • 2019Photo History by Numbers: Charting the Rise and Fall of Commercial Photography in Cameroon5 cited
  • 2015Intersecting Archives: Intertextuality and the Early West African Photographer5 cited
  • 2020No Way Back – Reflections on the Future of the African Photographic Archive4 cited
  • 2016Producing a World of Remains in Indian Ocean Africa: Discrepant Time, Melancholy Affect and the Subject of Transport in Capital Art Studio, Stone Town, Zanzibar2 cited
  • 2017A History Shaped by Futures Past: Art, Artists, and the Dialogic Turn at the Smithsonian National Museum of African Art1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work