Schoenberg's ‘Atonal’ Music

Jim Samson

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Musicology and Musical Analysis Music Technology and Sound Studies Literature, Musicology, and Cultural Analysis

Abstract

Schoenberg's ‘atonal’ (i.e. nontonal, pre-serial) music continues to offer stubborn resistance to analysis. The co-existence within the oeuvre of widely diverging, even conflicting, ‘linguistic’ directions has resulted in a theoretical literature inclined to illuminate the individual work or specific technical feature rather than to lay the foundations for useful analytical generalizations.

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References

1973The Structure of Atonal Music 1974The Structure of Atonal Music 1962Serial Composition and Atonality 1968Inversional Balance as an Organizing Force in Schoenberg's Music and Thought 1964A Theory of Set-Complexes for Music 1966Directed Motion in Schoenberg and Webern 1972Sets and Nonsets in Schoenberg's Atonal Music 1963Context and Continuity in an Atonal Work: A Set-Theoretic Approach

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