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“One Says That One Weeps, but One Does Not Weep”: Sensible, Grotesque, and Mechanical Embodiments in Boccherini's Chamber Music
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  • 2019Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends53 cited
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  • 2008Instrumental Arias or Sonic Tableaux: 'Voice' in Haydn's String Quartets Opp. 9 and 1739 cited
  • 2016Rethinking Interaction in Jazz Improvisation21 cited
  • 2011Introduction21 cited
  • 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
  • 2005The Performer’s Voice: Performance and Analysis in Ravel’sConcerto pour la main gauche6 cited
  • 2013Queer Responses to Sexual Trauma: The Voices of Tori Amos’s “Me and a Gun” and Lydia Lunch’s Daddy Dearest4 cited
  • 2019Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello2 cited
  • 2011Disability within Music-Theoretical Traditions2 cited

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