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The “Intellectual and Moral Made Visible”: The 1839 Washington Allston Exhibition and Unitarian Taste in Boston
12 references·0 citing·22 second hop
The “Intellectual and Moral Made Visible”: The 1839 Washington Allston Exhibition and Unitarian Taste in Boston (1985)The “Intellectual and Moral Made Visible”…The Letters of Margaret Fuller (2018)The Letters of Margaret FullerThe Feminization of American Culture (1978)The Feminization of American …Studies in the American Renaissance: 1977 (1978)Studies in the American Renai…Washington Allston: Method, Imagination, and Reality (1977)Washington Allston: Method, I…The Feminization of American Culture (1977)The Feminization of American …The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson (1970)The Journals and Miscellaneou…History of the Rise and Progress of the Arts of Design in the United States (1969)History of the Rise and Progr…The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. (1962)The Journals and Miscellaneou…Washington Allston. A Study of the Romantic Artist in America (1949)Washington Allston. A Study o…Life and Letters of Washington Allston (1893)Life and Letters of Washingto…The Complete Works Of Samuel Taylor Coleridge (1884)The Complete Works Of Samuel …Book of the artists (1867)Book of the artistsAmphi‐Atlantic English (1935)Charles Willson Peale's Expressive Design: The Artist in His Museum (1981)"Manly Exercises": Post-Revolutionary Performances of Authority in the Theatrical Career of William Dunlap (2001)Sprayed Poly (Vinyl Acetate) Heat Seal Adhesive Lining of Pen and Iron Gall Ink Drawings on Tracing Paper (1980)Visualizing Early American Art Audiences: The Pennsylvania Academy of the Fine Arts and Allston's Dead Man Restored (2011)The Romantic Literary Lecture in Britain (2019)Classification in Art (1987)FEMINIZATION UNVEILED: MANAGEMENT QUALITIES IN CONTEMPORARY WRITINGS (1997)Gender and Religiousness: Can Socialization Explanations Be Saved? (2002)Deep Time: American Literature and World History (2001)Consciousness without Borders: Narratology in Against the Day and the Works of Thomas Pynchon (2010)Allusions to Islamophopia: Evidence from Herman Melville’s Redburn, Mardi, and White Jacket (2022)The Woman in White: Whistler, Hiffernan, Courbet, Du Maurier (2005)MEN'S RESPONSES TO FEMINISM AT THE TURN OF THE CENTURY (1987)Specters of Democracy (2011)Bunyan, Luther, and the Struggle with Belatedness in Grace Abounding (1981)Coleridge's androgynous ideal (1983)A “grand possible”: Elizabeth Barrett Browning’s translations of Aeschylus’sPrometheus bound (2006)Emerson’s Newspaperman (2017)Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing (2010)American Poetic Materialism from Whitman to Stevens (2014)Race, Sex, and the Incommensurate: (2019)
this work references cited by second hop

References

  • 1977The Feminization of American Culture867 cited
  • 1978The Feminization of American Culture591 cited
  • 1962The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson.208 cited
  • 1978Studies in the American Renaissance: 1977118 cited
  • 1969History of the Rise and Progress of the Arts of Design in the United States76 cited
  • 1884The Complete Works Of Samuel Taylor Coleridge70 cited
  • 1970The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson64 cited
  • 2018The Letters of Margaret Fuller42 cited
  • 1867Book of the artists29 cited
  • 1893Life and Letters of Washington Allston27 cited
  • 1949Washington Allston. A Study of the Romantic Artist in America9 cited
  • 1977Washington Allston: Method, Imagination, and Reality4 cited

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