"The main goal of this essay is to show how the human condition of embodiment isimplicated in our current musical practices and discourses, informed by the preconceptualand pre-rational basis of habits, bodily schemata, auditory images,metaphors, etc., which in turn rely on perception as a primarily brain-body-involvingneural process.I also intend to show that embodiment plays a decisive role in the production ofmusical meanings. Although experienced and constituted primarily through thesubjective act of intentional perception, these meanings are open to the social andnatural environment with which they are actively connected."
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