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Bridge Themes within a Chromaticized Voice Exchange in Mozart Expositions
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Bridge Themes within a Chromaticized Voice Exchange in Mozart Expositions (1997)Bridge Themes within a Chromaticized Voic…Mozart: The 'Jupiter' Symphony (1993)Mozart: The 'Jupiter' SymphonyMozart, the "Jupiter" symphony, no. 41 in C major, K. 551 (1993)Mozart, the "Jupiter" symphon…The Bifocal Close and the Evolution of the Viennese Classical Style (1989)The Bifocal Close and the Evo…The First Movement of Brahms's Second Symphony: The Opening Theme and Its Consequences (1983)The First Movement of Brahms'…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…Schumann’s Continuous Expositions and the Classical Tradition (2014)Schumann’s Continuous Exposit…Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata (2013)Elements of Sonata Theory: No…On Voice Exchanges (2009)On Voice ExchangesClassic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of Sonata Theory (2006)Schumann's a-Minor Mood (2016)The Type 2 Sonata in the Nineteenth Century (2019)Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine (2020)Chopin: Pianist and Teacher as Seen by His Pupils (1987)On Implied Tones (1991): A Guide to Schenkerian Analysis . David Neumeyer, Susan Tepping. (1993)Definitions of "Chord" in the Teaching of Tonal Harmony (2013)Structuralist Poetics (1975)Toward an Aesthetic of Reception. (1982)The New Grove dictionary of music and musicians (2001)The “Mono-Operational” Recapitulation in Movements by Beethoven and Schubert (2018)Process and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies (2022)Brahms' integration of traditional and progressive tendencies: A look at three sonata expositions (1988)Dvořák and Subordinate Theme Closure (2020)Calculating Tonal Tension (1996)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)Roots of the Classical (2004)Harmony in Haydn and Mozart (2012)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Beethoven à la moujik: (2014)Anti-hero Worship: The Emergence of the “Byronic hero” Archetype in the Nineteenth Century (2016)Topics in Music – Definitions, History, and Meanings (2020)Music as Discourse (2008)Vocal performance in the seventeenth century (2012)The orchestral revolution: Haydn and the technologies of timbre (2013)
this work references cited by second hop

References

  • 1993Mozart: The 'Jupiter' Symphony194 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1989The Bifocal Close and the Evolution of the Viennese Classical Style95 cited
  • 1983The First Movement of Brahms's Second Symphony: The Opening Theme and Its Consequences27 cited
  • 1993Mozart, the "Jupiter" symphony, no. 41 in C major, K. 55116 cited

Cited by

  • 2014Schumann’s Continuous Expositions and the Classical Tradition14 cited
  • 2013Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata12 cited
  • 2009On Voice Exchanges11 cited

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