SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance
7 references·1 citing·23 second hop
Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance (2011)Spatial Translation and ‘Present-ness’ in…Actors as Signposts: a Model for Site-based and Ambulatory Performances (2009)Actors as Signposts: a Model …Live: Art and Performance (2004)Live: Art and PerformanceMapping the Terrain: a Survey of Site-Specific Performance in Britain (2002)Mapping the Terrain: a Survey…Moving Toward Life: Five Decades of Transformational Dance (1995)Moving Toward Life: Five Deca…Art and Embodiment: From Aesthetics to Self-Consciousness (1995)Art and Embodiment: From Aest…Dance and the Lived Body — A Descriptive Aesthetics by Sondra Horton Fraleigh. Pittsburgh: University of Pittsburgh Press, 1987. xli + 284 pp., illustrations. $29.95. (1988)Dance and the Lived Body — A …PHENOMENOLOGY OF PERCEPTION (1963)PHENOMENOLOGY OF PERCEPTIONPractice‐based educational and theatre research: A scoping review (2025)Practice‐based educational an…Places of Performance: The Semiotics of Theatre Architecture (1990)Place in the Performance Experience (2003)The Poetics of Space: (2003)Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture Trail (2006)Geographies of the Performing Arts: Landscapes, Places and Cities (2012)Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions (1987)Scoping studies: towards a methodological framework (2005)Engaged Scholarship (2007)Neurophysiological mechanisms underlying the understanding and imitation of action (2001)Qualitative Research Designs (2007)Using the framework method for the analysis of qualitative data in multi-disciplinary health research (2013)Experience Every Moment: Aesthetically significant dance education (2000)Steve Paxton's Goldberg Variations and the Angel of History (2002)SUSTAINING FEMINIST FILM CULTURES: AN INSTITUTIONAL HISTORY OF WOMEN MAKE MOVIES (2013)Balzac’s Queer Cousins and Their Friends (1997)Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition (2011)The experience of watching dance: phenomenological–neuroscience duets (2011)Theatre and Knowing: Considering the Pedagogical Spaces in Devised Theatre (2011)How We Talk About The WorkIsThe Work (2018)Performing Endurance (2018)Straightening our Perspective: The Logos of the Line (2007)Art as a guaranty of sanity (2014)A Review of Experimental Research on Embodied Creativity: Revisiting the Mind–Body Connection (2019)
this work references cited by second hop

References

  • 1963PHENOMENOLOGY OF PERCEPTION2,884 cited
  • 1988Dance and the Lived Body — A Descriptive Aesthetics by Sondra Horton Fraleigh. Pittsburgh: University of Pittsburgh Press, 1987. xli + 284 pp., illustrations. $29.95.188 cited
  • 1995Art and Embodiment: From Aesthetics to Self-Consciousness89 cited
  • 2004Live: Art and Performance76 cited
  • 2002Mapping the Terrain: a Survey of Site-Specific Performance in Britain69 cited
  • 1995Moving Toward Life: Five Decades of Transformational Dance61 cited
  • 2009Actors as Signposts: a Model for Site-based and Ambulatory Performances9 cited

Cited by

  • 2025Practice‐based educational and theatre research: A scoping review5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work