SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Playing it Queer: Popular Music, Identity and Queer World-making
4 references·16 citing·44 second hop
Playing it Queer: Popular Music, Identity and Queer World-making (2012)Playing it Queer: Popular Music, Identity…Sexing the Groove (2013)Sexing the GrooveQueering the Popular Pitch (2013)Queering the Popular PitchQueer Temporalities and the Significance of ‘Music Scene’ Participation in the Social Identities of Middle-aged Queers (2010)Queer Temporalities and the S…In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005)In a Queer Time and Place: Tr…Music and the Cultural Production of Scale (2023)Music and the Cultural Produc…Music as Labour (2022)Music as LabourWhat does gender have to do with music, anyway? mapping the relation between music and gender (2019)What does gender have to do w…Musikwissenschaften: Geschlechterforschung und zentrale Arbeitsgebiete (2019)Musikwissenschaften: Geschlec…Floorgasm: Queer(s), solidarity and resilience in punk (2017)Floorgasm: Queer(s), solidari…‘My laptop is an extension of my memory and self’: Post-Internet identity, virtual intimacy and digital queering in online popular music (2017)‘My laptop is an extension of…Scene ‘Theory’: History, Usage and Influence (2016)Scene ‘Theory’: History, Usag…Not Only Little Monsters: Diversity in Music Fandom in LGBTQ Lives (2016)Not Only Little Monsters: Div…DJ Mini and Montreal’s Vulgar Dance Music (2016)DJ Mini and Montreal’s Vulgar…Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders (2015)Into the Groove - Exploring l…Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality (2015)Digital Voices, Other Rooms: …Queer punx: young women in the Newcastle hardcore space (2014)Queer punx: young women in th…‘Bricolage’: reclaiming a conceptual tool (2014)‘Bricolage’: reclaiming a con…You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. (2013)You Say Invisible, I Say Ubiq…Lesbian musicalities, queer strains and celesbian pop: The poetics and polemics of women-loving-women in mainstream popular music (2013)Lesbian musicalities, queer s…Claiming Queer Territory in the Study of Subcultures and Popular Music (2013)Claiming Queer Territory in t…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)5. The Practice of Everyday Life (2000)To believe or not to believe, that is not the question: The complexity of Jewish beliefs about God. (2016)Why Marry? The Role of Tradition in Women's Marital Aspirations (2017)Fostering place-based coalitions between social movements and science for sustainable urban environments: A case of embedded agency (2020)Doing Gender (1987)Gender Trouble: Feminism and the Subversion of Identity (1991)Research Methodology: Methods and Techniques (2004)Documenting queer(ed) punk histories: Instagram, archives and ephemerality (2018)The educational backgrounds of DIY musicians (2021)DIY, fanzines and ecofeminism in the Global South: ‘This city is my sister’ (2023)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)No Future: Queer Theory and the Death Drive (2004)Popular music and the aesthetics of ageing (2012)Un/doing Chrononormativity: Negotiating Ageing, Gender and Sexuality in Organizational Life (2014)The Life and Afterlife of Gay Neighborhoods (2021)The History of Sexuality (1976)What is “LGBTQ+” Information? Interdisciplinary Connections (2019)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)From high camp to post-modern camp: Queering post-Soviet pop music (2021)Visual Pleasure and Narrative Cinema (1975)Black looks: race and representation (1992)How We Became Posthuman (1999)From Pussy Riot’s ‘punk prayer’ to Matilda: Orthodox believers, critique, and religious freedom in Russia (2019)Gender trouble: feminism and the subversion of identity (1990)Digital Technology and Cultural Practice (2019)Introducing Offlineness: Theorizing (Digital) Literacy Engagements (2020)#ThisIsMeChallenge and Music for Empowerment of Marginalized Groups on TikTok (2022)Distinction. A Social Critique of the Judgement of Taste (1985)The Cultural Politics of Emotion (2013)Distinction: A Social Critique of the Judgement of Taste* (2018)In defence of safer spaces: Punk, privilege and safer spaces policies (2020)More-than-safety: co-creating resourcefulness and conviviality in suburban LGBTQ2S youth out-of-school spaces (2020)What's that Smell? (2003)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)Big Ears: Listening for Gender in Jazz Studies (2020)Orientations (2006)Doing Gender, Doing Heteronormativity “Gender Normals,” Transgender People, and the Social Maintenance of Heterosexuality (2009)Unbecoming Claims (2014)Queer Listening to Queer Vocal Timbres (2010)"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2011)The Cambridge Companion to the Singer-Songwriter (2016)
this work references cited by second hop

References

  • 2005In a Queer Time and Place: Transgender Bodies, Subcultural Lives1,660 cited
  • 2013Queering the Popular Pitch153 cited
  • 2013Sexing the Groove141 cited
  • 2010Queer Temporalities and the Significance of ‘Music Scene’ Participation in the Social Identities of Middle-aged Queers59 cited

Cited by

  • 2014‘Bricolage’: reclaiming a conceptual tool62 cited
  • 2017‘My laptop is an extension of my memory and self’: Post-Internet identity, virtual intimacy and digital queering in online popular music51 cited
  • 2017Floorgasm: Queer(s), solidarity and resilience in punk24 cited
  • 2014Queer punx: young women in the Newcastle hardcore space16 cited
  • 2015Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality16 cited
  • 2013Claiming Queer Territory in the Study of Subcultures and Popular Music15 cited
  • 2019What does gender have to do with music, anyway? mapping the relation between music and gender9 cited
  • 2016DJ Mini and Montreal’s Vulgar Dance Music6 cited
  • 2016Scene ‘Theory’: History, Usage and Influence5 cited
  • 2013Lesbian musicalities, queer strains and celesbian pop: The poetics and polemics of women-loving-women in mainstream popular music5 cited
  • 2013

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’.
5 cited
  • 2015Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders5 cited
  • 2022Music as Labour4 cited
  • 2023Music and the Cultural Production of Scale4 cited
  • 2016Not Only Little Monsters: Diversity in Music Fandom in LGBTQ Lives4 cited
  • 2019Musikwissenschaften: Geschlechterforschung und zentrale Arbeitsgebiete3 cited