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Identification of pigments on a XV century illuminated parchment by Raman and FTIR microspectroscopies
5 references·16 citing·40 second hop
Identification of pigments on a XV century illuminated parchment by Raman and FTIR microspectroscopies (1999)Identification of pigments on a XV centur…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Pigment identification on med…Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Synthesis, structural charact…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy: application…Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Identification by Raman micro…Terahertz Spectroscopy and Quantum Mechanical Simulations of Crystalline Copper-Containing Historical Pigments (2019)Terahertz Spectroscopy and Qu…Quantitative Analysis of Minium and Vermilion Mixtures Using Low-Frequency Vibrational Spectroscopy (2019)Quantitative Analysis of Mini…Azurite in medieval illuminated manuscripts: a reflection-FTIR study concerning the characterization of binding media (2019)Azurite in medieval illuminat…Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)Analysis of artist’s palette …Thermographic study of the illuminations of a 15th century antiphonary (2014)Thermographic study of the il…Exploiting external reflection FTIR spectroscopy for the in-situ identification of pigments and binders in illuminated manuscripts. Brochantite and posnjakite as a case study (2014)Exploiting external reflectio…Spectroscopic characterization of a masterpiece: The Manueline foral charter of Sintra (2012)Spectroscopic characterizatio…Forgery detection on an Arabic illuminated manuscript by micro‐Raman and X‐ray fluorescence spectroscopy (2010)Forgery detection on an Arabi…ATR and transmission analysis of pigments by means of far infrared spectroscopy (2009)ATR and transmission analysis…Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests (2007)Red lead darkening in wall pa…The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques (2006)The fading of red lead pigmen…Evaluation of the chemical and physical changes induced by KrF laser irradiation of tempera paints (2003)Evaluation of the chemical an…Spectroscopic Analysis of Pigments and Binding Media of Polychromes by the Combination of Optical Laser-Based and Vibrational Techniques (2001)Spectroscopic Analysis of Pig…Raman microscopy in art history and conservation science (2001)Raman microscopy in art histo…Micro-Raman identification of the palette of a precious XVI century illuminated Persian codex (2001)Micro-Raman identification of…Identification of Dyes on Ancient Chinese Paper Samples Using the Subtracted Shifted Raman Spectroscopy Method (1999)Identification of Dyes on Anc…Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Characterization of outdoor bronze monument patinas: the potentialities of near-infrared spectroscopic analysis (2018)Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty (2020)The materials and techniques of medieval painting (1956)VERDIGRIS AND COPPER RESINATE (1970)Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy (2001)Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry (1999)Modern analytical methods in art and archaeology (2000)Archaeometric characterisation of ancient pottery belonging to the archaeological site of Novalesa Abbey (Piedmont, Italy) by ICP–MS and spectroscopic techniques coupled to multivariate statistical tools 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non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts (2008)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Infrared Spectroscopy in Conservation Science (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)On‐site Raman study of artwork: Procedure and illustrative examples (2017)Study on colored pattern pigments of a royal Taoist temple beside the Forbidden City (Beijing, China) (2017)Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite) (2020)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Raman scattering features of lead pyroantimonate compounds. Part I: XRD and Raman characterization of Pb2Sb2O7 doped with tin and zinc (2008)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Identification of natural dyes used in works of art by pyrolysis–gas chromatography/mass spectrometry combined with in situ trimethylsilylation (2005)Portable Equipment for Luminescence Lifetime Measurements on Surfaces (2008)The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis (2008)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Pigment identification by spectroscopic means: an arts/science interface (2002)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)
this work references cited by second hop

References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1995Raman microscopy: application to the identification of pigments on medieval manuscripts286 cited
  • 1995Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts142 cited
  • 1995Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript118 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited

Cited by

  • 2014Exploiting external reflection FTIR spectroscopy for the in-situ identification of pigments and binders in illuminated manuscripts. Brochantite and posnjakite as a case study67 cited
  • 2016Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments61 cited
  • 2001Micro-Raman identification of the palette of a precious XVI century illuminated Persian codex60 cited
  • 2010Forgery detection on an Arabic illuminated manuscript by micro‐Raman and X‐ray fluorescence spectroscopy59 cited
  • 1999Identification of Dyes on Ancient Chinese Paper Samples Using the Subtracted Shifted Raman Spectroscopy Method59 cited
  • 2006The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques56 cited
  • 2001

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Spectroscopic Analysis of Pigments and Binding Media of Polychromes by the Combination of Optical Laser-Based and Vibrational Techniques
53 cited
  • 2007Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests49 cited
  • 2001Raman microscopy in art history and conservation science48 cited
  • 2003Evaluation of the chemical and physical changes induced by KrF laser irradiation of tempera paints38 cited
  • 2014Thermographic study of the illuminations of a 15th century antiphonary36 cited
  • 2019Quantitative Analysis of Minium and Vermilion Mixtures Using Low-Frequency Vibrational Spectroscopy36 cited
  • 2019Terahertz Spectroscopy and Quantum Mechanical Simulations of Crystalline Copper-Containing Historical Pigments34 cited
  • 2009ATR and transmission analysis of pigments by means of far infrared spectroscopy34 cited
  • 2019Azurite in medieval illuminated manuscripts: a reflection-FTIR study concerning the characterization of binding media32 cited
  • 2012Spectroscopic characterization of a masterpiece: The Manueline foral charter of Sintra27 cited