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Paul Robeson's Ballad for Americans: Race and the Cultural Politics of “People's Music”
16 references·3 citing·29 second hop
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References

  • 1993Playing in the Dark: Whiteness and the Literary Imagination.3,067 cited
  • 2017The Wages of Whiteness2,119 cited
  • 1995Race rebels: culture, politics, and the black working class1,384 cited
  • 1992The Wages of Whiteness: Race and the Making of the American Working Class.1,179 cited
  • 1987Heavenly Bodies: Film Stars and Society1,114 cited
  • 1993Playing in the Dark: Whiteness and the Literary Imagination.966 cited
  • 1984Culture as history : the transformation of American society in the twentieth century723 cited
  • 1997The cultural front: the laboring of American culture in the twentieth century607 cited
  • 2004Black Is a Country572 cited
  • 1988Slave Culture: Nationalist Theory and the Foundations of Black America517 cited
  • 1997The Cultural Front: The Laboring of American Culture in the Twentieth Century498 cited
  • 1998Race Men434 cited
  • 1996Blackface, White Noise422 cited
  • 1995Love and Theft372 cited
  • 2017Race Against Empire: Black Americans and Anticolonialism, 1937-1957362 cited
  • 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.

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347 cited

Cited by

  • 2017Ballad for Incarcerated Americans: Second Generation Japanese American Musicking in World War II Camps13 cited
  • 2009The rise of the Black Internationale: Anti-imperialist activism and aesthetics in Britain during the 1930s9 cited
  • 2010“Dixie Carmen ”: War, Race, and Identity in Oscar Hammerstein's Carmen Jones (1943)6 cited