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Popular Music and Materiality: Memorabilia and Memory Traces
16 references·16 citing·31 second hopsampled
Popular Music and Materiality: Memorabilia and Memory Traces (2015)Popular Music and Materiality: Memorabili…Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Modernity and Self-Identity: …The vinyl: The analogue medium in the age of digital reproduction (2013)The vinyl: The analogue mediu…The Meanings of Things (2013)The Meanings of ThingsAgeing and youth cultures: music, style, and identity (2013)Ageing and youth cultures: mu…Exhibiting Popular Music: Museum Audiences, Inclusion and Social History (2010)Exhibiting Popular Music: Mus…“Heritage rock”: Rock music, representation and heritage discourse (2009)“Heritage rock”: Rock music, …Sound moves: iPod culture and urban experience (2008)Sound moves: iPod culture and…Understanding Material Culture (2007)Understanding Material CultureIntimations of Post-Modernity (2005)Intimations of Post-Modernity“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age (2005)“Take Those Old Records off t…Instruments of desire: the electric guitar and the shaping of musical experience (2000)Instruments of desire: the el…Material Culture in the Social World (1999)Material Culture in the Socia…On Longing (1993)On LongingMaterial Culture and Mass Consumption. (1991)Material Culture and Mass Con…On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)On Longing: Narratives of the…The walkman effect (1984)The walkman effectHouse of Golden Records: Portugal’s Independent Record Stores (1998–2020) (2022)House of Golden Records: Port…Ultimate bias: Memorabilia, K-pop and fandom identities (2021)Ultimate bias: Memorabilia, K…Museums as sites for displaying sound materials: a five-use framework (2021)Museums as sites for displayi…Heritagisation of pop culture by museums and an analysis of visitor feedback (2021)Heritagisation of pop culture…‘Right here, right now!’: embodied experiences of pop concert participants (2021)‘Right here, right now!’: emb…Popular Music, Technology, and the Changing Media Ecosystem (2020)Popular Music, Technology, an…Introduction to Music and the Politics of Memory: Resounding Antifascism across Borders (2020)Introduction to Music and the…Vinyl as event: Record Store Day and the value-vibrant matter nexus (2019)Vinyl as event: Record Store …Performatively Driven: A Genre for Signifying in Popular Music Exhibitions (2019)Performatively Driven: A Genr…Music Ephemera within Library Collections: A Review of the Literature (2019)Music Ephemera within Library…Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign (2018)Popular Music Heritage, Grass…Understanding the Exhibitionary Characteristics of Popular Music Museums (2017)Understanding the Exhibitiona…On the Production of Alternative Music Places: Im-materiality, Labor, and Meaning (2017)On the Production of Alternat…Death by streaming or vinyl revival? Exploring the spatial dynamics and value-creating strategies of independent record shops in Stockholm (2017)Death by streaming or vinyl r…The Visible Evidence of DiY Ethics: Music, Publicity and Technologies of (In)Visibility in Glasgow (2016)The Visible Evidence of DiY E…Sonic Artefacts: "Record Collecting" in the Digital Age (2016)Sonic Artefacts: "Record Coll…Logique du sens (1969)The Tuning of the World (1983)Splintered Space: Hybrid Spaces and Differential Mobility (2012)Music and Ethical Responsibility (2014)All about Acceptability? (2017)Coming to our senses? A critical approach to sensory methodology (2009)Live Sociology: Social Research and its Futures (2012)Developments and key issues in tourism mobilities (2013)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)National Identity, Popular Culture and Everyday Life (2020)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Handbook of Economic Sociology (1994)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)CURRENT RESEARCH IN SOCIAL PSYCHOLOGY (1996)When things strike back: a possible contribution of ‘science studies’ to the social sciences (2000)The tourist experience (2005)What Is Agency? (1998)Communities of Practice and Social Learning Systems (2000)Modernization, cultural change, and democracy the human development sequence (2005)Mobility and Proximity (2002)Consumers, Producers and Practices (2005)"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)The Production of Culture Perspective (2004)Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)‘(N)Ostalgie’ for the present: Memory, longing, and East German things (1999)Toward an Ethnography of Silence (2009)Introduction “the Rot Remains” (2013)The Sociology of Cosmopolitanism: Globalization, Identity, Culture and Government (2009)Preserving the unpreservable: docile and unruly objects at MoMA (2014)The pandemic and the academic mothers: present hardships and future perspectives (2020)
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References

  • 2020Modernity and Self-Identity: Self and Society in the Late Modern Age13,417 cited
  • 1986On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection2,317 cited
  • 1991Material Culture and Mass Consumption.1,397 cited
  • 1993On Longing1,142 cited
  • 2005Intimations of Post-Modernity1,119 cited
  • 2008Sound moves: iPod culture and urban experience506 cited
  • 2007Understanding Material Culture367 cited
  • 2000Instruments of desire: the electric guitar and the shaping of musical experience292 cited
  • 1984The walkman effect262 cited
  • 1999Material Culture in the Social World220 cited
  • 2013Ageing and youth cultures: music, style, and identity175 cited
  • 2009“Heritage rock”: Rock music, representation and heritage discourse134 cited
  • 2013The vinyl: The analogue medium in the age of digital reproduction119 cited
  • 2013The Meanings of Things85 cited
  • 2005“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age66 cited
  • 2010Exhibiting Popular Music: Museum Audiences, Inclusion and Social History

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62 cited

Cited by

  • 2017Death by streaming or vinyl revival? Exploring the spatial dynamics and value-creating strategies of independent record shops in Stockholm33 cited
  • 2021‘Right here, right now!’: embodied experiences of pop concert participants22 cited
  • 2017On the Production of Alternative Music Places: Im-materiality, Labor, and Meaning19 cited
  • 2018Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign19 cited
  • 2017Understanding the Exhibitionary Characteristics of Popular Music Museums15 cited
  • 2020Introduction to Music and the Politics of Memory: Resounding Antifascism across Borders13 cited
  • 2019Performatively Driven: A Genre for Signifying in Popular Music Exhibitions11 cited
  • 2020Popular Music, Technology, and the Changing Media Ecosystem10 cited
  • 2016The Visible Evidence of DiY Ethics: Music, Publicity and Technologies of (In)Visibility in Glasgow9 cited
  • 2021Heritagisation of pop culture by museums and an analysis of visitor feedback8 cited
  • 2021Museums as sites for displaying sound materials: a five-use framework7 cited
  • 2019Vinyl as event: Record Store Day and the value-vibrant matter nexus7 cited
  • 2022House of Golden Records: Portugal’s Independent Record Stores (1998–2020)6 cited
  • 2016Sonic Artefacts: "Record Collecting" in the Digital Age6 cited
  • 2021Ultimate bias: Memorabilia, K-pop and fandom identities6 cited
  • 2019Music Ephemera within Library Collections: A Review of the Literature5 cited