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Roman Shakespeare: warriors, wounds, and women
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  • 2016Re-Historicizing Race, White Melancholia, and the Shakespearean Property49 cited
  • 2012Shakespeare and World Cinema38 cited
  • 2001Tarquin Dispossessed: Expropriation and Consent in The Rape of Lucrece35 cited
  • 2017Shakespeare, Caravaggio, and the Indistinct Regard32 cited
  • 2006Service and dependency in Shakespeare's plays27 cited
  • 2003"And Make Two Pasties of Your Shameful Heads": Medicinal Cannibalism and Healing the Body Politic in Titus Andronicus25 cited
  • 2009Botanical Shakespeares: The Racial Logic of Plant Life in Titus Andronicus25 cited
  • 2017Shakespeare for freedom why the plays matter23 cited
  • 2002A Tale of Two Titus es: Julie Taymor's Vision on Stage and Screen20 cited
  • 2021Ovid and the Liberty of Speech in Shakespeare's England15 cited
  • 2009“A pattern, precedent, and lively warrant”: Emulation, Rhetoric, and Cruel Propriety in Titus Andronicus13 cited
  • 2003Colonialism, Politics, and Romanization in John Fletcher's Bonduca10 cited
  • 2007Early Modern Tragedy, Gender and Performance, 1984–200010 cited
  • 2024Staging Disgust9 cited
  • 2000

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Warrior Women in the Plays of Cavendish and Killigrew
7 cited
  • 2015Rhetorical Delivery for Renaissance English: Voice, Gesture, Emotion, and the Sixteenth-Century Vernacular Turn7 cited